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The Classic Mystery Collection - Arthur Conan Doyle [1877]

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Glen Tower," and wanting to go all over it immediately from top to bottom.

As we took her into the house, I made the necessary apologies for the miserable condition of the lean-to, and assured her that, ten days later, she would have found it perfectly ready to receive her. She whisked into the rooms--looked all round them--whisked out again--declared she had come to live in the old Tower, and not in any modern addition to it, and flatly declined to inhabit the lean-to on any terms whatever. I opened my lips to state certain objections, but she slipped away in an instant and made straight for the Tower staircase.

"Who lives here?" she asked, calling down to us, eagerly, from the first-floor landing.

"I do," said Owen; "but, if you would like me to move out--"

She was away up the second flight before he could say any more. The next sound we heard, as we slowly followed her, was a peremptory drumming against the room door of the second story.

"Anybody here?" we heard her ask through the door.

I called up to her that, under ordinary circumstances, I was there; but that, like Owen, I should be happy to move out--

My polite offer was cut short as my brother's had been. We heard more drumming at the door of the third story. There were two rooms here also--one perfectly empty, the other stocked with odds and ends of dismal, old-fashioned furniture for which we had no use, and grimly ornamented by a life-size basket figure supporting a complete suit of armor in a sadly rusty condition. When Owen and I got to the third-floor landing, the door was open; Miss Jessie had taken possession of the rooms; and we found her on a chair, dusting the man in armor with her cambric pocket-handkerchief.

"I shall live here," she said, looking round at us briskly over her shoulder.

We both remonstrated, but it was quite in vain. She told us that she had an impulse to live with the man in armor, and that she would have her way, or go back immediately in the post-chaise, which we pleased. Finding it impossible to move her, we bargained that she should, at least, allow the new bed and the rest of the comfortable furniture in the lean-to to be moved up into the empty room for her sleeping accommodation. She consented to this condition, protesting, however, to the last against being compelled to sleep in a bed, because it was a modern conventionality, out of all harmony with her place of residence and her friend in armor.

Fortunately for the repose of Morgan, who, under other circumstances, would have discovered on the very first day that his airy retreat was by no means high enough to place him out of Jessie's reach, the idea of settling herself instantly in her new habitation excluded every other idea from the mind of our fair guest. She pinned up the nankeen-colored traveling dress in festoons all round her on the spot; informed us that we were now about to make acquaintance with her in the new character of a woman of business; and darted downstairs in mad high spirits, screaming for Matilda and the trunks like a child for a set of new toys. The wholesome protest of Nature against the artificial restraints of modern life expressed itself in all that she said and in all that she did. She had never known what it was to be happy before, because she had never been allowed, until now, to do anything for herself. She was down on her knees at one moment, blowing the fire, and telling us that she felt like Cinderella; she was up on a table the next, attacking the cobwebs with a long broom, and wishing she had been born a housemaid. As for my unfortunate friend, the upholsterer, he was leveled to the ranks at the first effort he made to assume the command of the domestic forces in the furniture department. She laughed at him, pushed him about, disputed all his conclusions, altered all his arrangements, and ended by ordering half his bedroom furniture to be taken back again, for the one unanswerable reason that she meant to do without it.

As evening approached, the scene presented by the two rooms became eccentric to a pitch of absurdity which is

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