The Classic Mystery Collection - Arthur Conan Doyle [188]
In the matter of shoes, also, Manderson had allowed himself the advantage of wealth. An extraordinary number of these, treed and carefully kept, was ranged on two long low shelves against the wall. No boots were among them. Trent, himself an amateur of good shoe-leather, now turned to these, and glanced over the collection with an appreciative eye. It was to be seen that Manderson had been inclined to pride himself on a rather small and well-formed foot. The shoes were of a distinctive shape, narrow and round-toed, beautifully made; all were evidently from the same last.
Suddenly his eyes narrowed themselves over a pair of patent-leather shoes on the upper shelf.
These were the shoes of which the inspector had already described the position to him; the shoes worn by Manderson the night before his death. They were a well-worn pair, he saw at once; he saw, too, that they had been very recently polished. Something about the uppers of these shoes had seized his attention. He bent lower and frowned over them, comparing what he saw with the appearance of the neighbouring shoes. Then he took them up and examined the line of junction of the uppers with the soles.
As he did this, Trent began unconsciously to whistle faintly, and with great precision, an air which Inspector Murch, if he had been present, would have recognized.
Most men who have the habit of self-control have also some involuntary trick which tells those who know them that they are suppressing excitement. The inspector had noted that when Trent had picked up a strong scent he whistled faintly a certain melodious passage; though the inspector could not have told you that it was in fact the opening movement of Mendelssohn's Lied ohne Worter in A Major.
He turned the shoes over, made some measurements with a marked tape, and looked minutely at the bottoms. On each, in the angle between the heel and the instep, he detected a faint trace of red gravel.
Trent placed the shoes on the floor, and walked with his hands behind him to the window, out of which, still faintly whistling, he gazed with eyes that saw nothing. Once his lips opened to emit mechanically the Englishman's expletive of sudden enlightenment. At length he turned to the shelves again, and swiftly but carefully examined every one of the shoes there.
This done, he took up the garments from the chair, looked them over closely and replaced them. He turned to the wardrobe cupboards again, and hunted through them carefully. The litter on the dressing-table now engaged his attention for the second time. Then he sat down on the empty chair, took his head in his hands, and remained in that attitude, staring at the carpet, for some minutes. He rose at last and opened the inner door leading to Mrs Manderson's room.
It was evident at a glance that the big room had been hurriedly put down from its place as the lady's bower. All the array of objects that belong to a woman's dressing-table had been removed; on bed and chairs and smaller tables there were no garments or hats, bags or boxes; no trace remained of the obstinate conspiracy of gloves and veils, handkerchiefs and ribbons, to break the captivity of the drawer. The room was like an unoccupied guest-chamber. Yet in every detail of furniture and decoration it spoke of an unconventional but exacting taste. Trent, as his expert eye noted the various perfection of colour and form amid which the ill-mated lady dreamed her dreams and thought her loneliest thoughts, knew that she had at least the resources of an artistic nature. His interest in this unknown personality grew stronger; and his brows came down heavily as he thought of the burdens laid upon it, and of the deed of which the history was now shaping itself with more and more of substance before his busy mind.
He went first to the tall French window in the middle of the wall that faced the door, and opening it, stepped out upon a small balcony with