The Classic Mystery Collection - Arthur Conan Doyle [1912]
Between the foot of his bed and the closed door there stood a woman with a knife in her hand, looking at him.
He was stricken speechless with terror, but he did not lose the preternatural clearness of his faculties, and he never took his eyes off the woman. She said not a word as they stared each other in the face, but she began to move slowly toward the left-hand side of the bed.
His eyes followed her. She was a fair, fine woman, with yellowish flaxen hair and light gray eyes, with a droop in the left eyelid. He noticed those things and fixed them on his mind before she was round at the side of the bed. Speechless, with no expression in her face, with no noise following her footfall, she came closer and closer--stopped--and slowly raised the knife. He laid his right arm over his throat to save it; but, as he saw the knife coming down, threw his hand across the bed to the right side, and jerked his body over that way just as the knife descended on the mattress within an inch of his shoulder.
His eyes fixed on her arm and hand as she slowly drew her knife out of the bed: a white, well-shaped arm, with a pretty down lying lightly over the fair skin--a delicate lady's hand, with the crowning beauty of a pink flush under and round the finger-nails.
She drew the knife out, and passed back again slowly to the foot of the bed; stopped there for a moment looking at him; then came on--still speechless, still with no expression on the blank, beautiful face, still with no sound following the stealthy footfalls--came on to the right side of the bed, where he now lay.
As she approached, she raised the knife again, and he drew himself away to the left side. She struck, as before, right into the mattress, with a deliberate, perpendicularly downward action of the arm. This time his eyes wandered from her to the knife. It was like the large cla sp-knives which he had often seen laboring men use to cut their bread and bacon with. Her delicate little fingers did not conceal more than two-thirds of the handle: he noticed that it was made of buck-horn, clean and shining as the blade was, and looking like new.
For the second time she drew the knife out, concealed it in the wide sleeve of her gown, then stopped by the bedside, watching him. For an instant he saw her standing in that position, then the wick of the spent candle fell over into the socket; the flame diminished to a little blue point, and the room grew dark.
A moment, or less, if possible, passed so, and then the wick flamed up, smokingly, for the last time. His eyes were still looking eagerly over the right-hand side of the bed when the final flash of light came, but they discovered nothing. The fair woman with the knife was gone.
The conviction that he was alone again weakened the hold of the terror that had struck him dumb up to this time. The preternatural sharpness which the very intensity of his panic had mysteriously imparted to his faculties left them suddenly. His brain grew confused--his heart beat wildly--his ears opened for the first time since the appearance of the woman to a sense of the woeful ceaseless moaning of the wind among the trees. With the dreadful conviction of the reality of what he had seen still strong within him, he leaped out of bed, and screaming "Murder! Wake up, there! wake up!" dashed headlong through the darkness to the door.
It was fast locked, exactly as he had left it on going to bed.
His cries on starting up had alarmed the house. He heard the terrified, confused exclamations of women; he saw the master of the house approaching along the passage with his burning rush-candle in one hand and his gun in the other.
"What is it?" asked the landlord, breathlessly. Isaac could only answer in a whisper. "A woman, with a knife in her hand," he gasped out. "In my room--a fair, yellow-haired woman; she jobbed at me with the knife twice over."
The landlord's pale cheeks grew paler. He looked at Isaac eagerly by the flickering light of his candle, and