The Classic Mystery Collection - Arthur Conan Doyle [2095]
Think of her as you thought of the first woman who quickened the pulses within you that the rest of her sex had no art to stir. Let the kind, candid blue eyes meet yours, as they met mine, with the one matchless look which we both remember so well. Let her voice speak the music that you once loved best, attuned as sweetly to your ear as to mine. Let her footstep, as she comes and goes, in these pages, be like that other footstep to whose airy fall your own heart once beat time. Take her as the visionary nursling of your own fancy; and she will grow upon you, all the more clearly, as the living woman who dwells in mine.
Among the sensations that crowded on me, when my eyes first looked upon her--familiar sensations which we all know, which spring to life in most of our hearts, die again in so many, and renew their bright existence in so few--there was one that troubled and perplexed me: one that seemed strangely inconsistent and unaccountably out of place in Miss Fairlie's presence.
Mingling with the vivid impression produced by the charm of her fair face and head, her sweet expression, and her winning simplicity of manner, was another impression, which, in a shadowy way, suggested to me the idea of something wanting. At one time it seemed like something wanting in HER: at another, like something wanting in myself, which hindered me from understanding her as I ought. The impression was always strongest in the most contradictory manner, when she looked at me; or, in other words, when I was most conscious of the harmony and charm of her face, and yet, at the same time, most troubled by the sense of an incompleteness which it was impossible to discover. Something wanting, something wanting--and where it was, and what it was, I could not say.
The effect of this curious caprice of fancy (as I thought it then) was not of a nature to set me at my ease, during a first interview with Miss Fairlie. The few kind words of welcome which she spoke found me hardly self-possessed enough to thank her in the customary phrases of reply. Observing my hesitation, and no doubt attributing it, naturally enough, to some momentary shyness on my part, Miss Halcombe took the business of talking, as easily and readily as usual, into her own hands.
"Look there, Mr. Hartright," she said, pointing to the sketch-book on the table, and to the little delicate wandering hand that was still trifling with it. "Surely you will acknowledge that your model pupil is found at last? The moment she hears that you are in the house, she seizes her inestimable sketch-book, looks universal Nature straight in the face, and longs to begin!"
Miss Fairlie laughed with a ready good-humour, which broke out as brightly as if it had been part of the sunshine above us, over her lovely face.
"I must not take credit to myself where no credit is due," she said, her clear, truthful blue eyes looking alternately at Miss Halcombe and at me. "Fond as I am of drawing, I am so conscious of my own ignorance that I am more afraid than anxious to begin. Now I know you are here, Mr. Hartright, I find myself looking over my sketches, as I used to look over my lessons when I was a little girl, and when I was sadly afraid that I should turn out not fit to be heard."
She made the confession very prettily and simply, and, with quaint, childish earnestness, drew the sketch-book away close to her own side of the table. Miss Halcombe cut the knot of the little embarrassment forthwith, in her resolute, downright way.
"Good, bad, or indifferent," she said, "the pupil's sketches must pass through the fiery ordeal of the master's judgment--and there's an end of it. Suppose we take them with us in the carriage, Laura, and let Mr. Hartright see them, for the first time, under circumstances