The Classic Mystery Collection - Arthur Conan Doyle [226]
She played with a perfection of execution and feeling that moved him now as it had moved him before. 'You are a musician born,' he said quietly when she had finished, and the last tremor of the music had passed away. 'I knew that before I first heard you.'
'I have played a great deal ever since I can remember. It has been a great comfort to me,' she said simply, and half-turned to him smiling. 'When did you first detect music in me? Oh, of course: I was at the opera. But that wouldn't prove much, would it?'
'No,' he said abstractedly, his sense still busy with the music that had just ended. 'I think I knew it the first time I saw you.' Then understanding of his own words came to him, and turned him rigid. For the first time the past had been invoked.
There was a short silence. Mrs Manderson looked at Trent, then hastily looked away. Colour began to rise in her cheeks, and she pursed her lips as if for whistling. Then with a defiant gesture of the shoulders which he remembered she rose suddenly from the piano and placed herself in a chair opposite to him.
'That speech of yours will do as well as anything,' she began slowly, looking at the point of her shoe, 'to bring us to what I wanted to say. I asked you here today on purpose, Mr Trent, because I couldn't bear it any longer. Ever since the day you left me at White Gables I have been saying to myself that it didn't matter what you thought of me in that affair; that you were certainly not the kind of man to speak to others of what you believed about me, after what you had told me of your reasons for suppressing your manuscript. I asked myself how it could matter. But all the time, of course, I knew it did matter. It mattered horribly. Because what you thought was not true.' She raised her eyes and met his gaze calmly. Trent, with a completely expressionless face, returned her look.
'Since I began to know you,' he said, 'I have ceased to think it.' 'Thank you,' said Mrs Manderson; and blushed suddenly and deeply. Then, playing with a glove, she added, 'But I want you to know what was true.
I did not know if I should ever see you again,' she went on in a lower voice, 'but I felt that if I did I must speak to you about this. I thought it would not be hard to do so, because you seemed to me an understanding person; and besides, a woman who has been married isn't expected to have the same sort of difficulty as a young girl in speaking about such things when it is necessary. And then we did meet again, and I discovered that it was very difficult indeed. You made it difficult.'
'How?' he asked quietly.
'I don't know,' said the lady. 'But yes--I do know. It was just because you treated me exactly as if you had never thought or imagined anything of that sort about me. I had always supposed that if I saw you again you would turn on me that hard, horrible sort of look you had when you asked me that last question-- do you remember?--at White Gables. Instead of that you were just like any other acquaintance. You were just'--she hesitated and spread out her hands--'nice. You know. After that first time at the opera when I spoke to you I went home positively wondering if you had really recognized me. I mean, I thought you might have recognized my face without remembering who it was.'
A short