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The Classic Mystery Collection - Arthur Conan Doyle [2284]

By Root 23059 0
last on you. My love! my love!

* * * * * * * * * *

Time had flowed on, and silence had fallen like thick night over its course.

The first sound that came after the heavenly peace rustled faintly like a passing breath of air over the grass of the burial-ground. I heard it nearing me slowly, until it came changed to my ear-- came like footsteps moving onward--then stopped.

I looked up.

The sunset was near at hand. The clouds had parted--the slanting light fell mellow over the hills. The last of the day was cold and clear and still in the quiet valley of the dead.

Beyond me, in the burial-ground, standing together in the cold clearness of the lower light, I saw two women. They were looking towards the tomb, looking towards me.

Two.

They came a little on, and stopped again. Their veils were down, and hid their faces from me. When they stopped, one of them raised her veil. In the still evening light I saw the face of Marian Halcombe.

Changed, changed as if years had passed over it! The eyes large and wild, and looking at me with a strange terror in them. The face worn and wasted piteously. Pain and fear and grief written on her as with a brand.

I took one step towards her from the grave. She never moved--she never spoke. The veiled woman with her cried out faintly. I stopped. The springs of my life fell low, and the shuddering of an unutterable dread crept over me from head to foot.

The woman with the veiled face moved away from her companion, and came towards me slowly. Left by herself, standing by herself, Marian Halcombe spoke. It was the voice that I remembered--the voice not changed, like the frightened eyes and the wasted face.

"My dream! my dream!" I heard her say those words softly in the awful silence. She sank on her knees, and raised her clasped hands to heaven. "Father! strengthen him. Father! help him in his hour of need."

The woman came on, slowly and silently came on. I looked at her-- at her, and at none other, from that moment.

The voice that was praying for me faltered and sank low--then rose on a sudden, and called affrightedly, called despairingly to me to come away.

But the veiled woman had possession of me, body and soul. She stopped on one side of the grave. We stood face to face with the tombstone between us. She was close to the inscription on the side of the pedestal. Her gown touched the black letters.

The voice came nearer, and rose and rose more passionately still. "Hide your face! don't look at her! Oh, for God's sake, spare him----"

The woman lifted her veil.

"Sacred to the Memory of Laura, Lady Glyde----"

Laura, Lady Glyde, was standing by the inscription, and was looking at me over the grave.

[The Second Epoch of the Story closes here.]

THE THIRD EPOCH

THE STORY CONTINUED BY WALTER HARTRIGHT.

I

I open a new page. I advance my narrative by one week.

The history of the interval which I thus pass over must remain unrecorded. My heart turns faint, my mind sinks in darkness and confusion when I think of it. This must not be, if I who write am to guide, as I ought, you who read. This must not be, if the clue that leads through the windings of the story is to remain from end to end untangled in my hands.

A life suddenly changed--its whole purpose created afresh, its hopes and fears, its struggles, its interests, and its sacrifices all turned at once and for ever into a new direction--this is the prospect which now opens before me, like the burst of view from a mountain's top. I left my narrative in the quiet shadow of Limmeridge church--I resume it, one week later, in the stir and turmoil of a London street.

The street is in a populous and a poor neighbourhood. The ground floor of one of the houses in it is occupied by a small newsvendor's shop, and the first floor and the second are let as furnished lodgings of the humblest kind.

I have taken those two floors in an assumed name. On the upper floor I live, with a room to work in, a room to sleep in. On the lower floor, under the same assumed name, two women live, who are described as my sisters. I get my bread by drawing and

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