The Classic Mystery Collection - Arthur Conan Doyle [2509]
'For pursuing his genius, sir?'
'No, my dear,' said Mr. Grewgious, 'for starvation. It was impossible to deny the position, that Mr. Bazzard was not formed to be starved, and Mr. Bazzard then pointed out that it was desirable that I should stand between him and a fate so perfectly unsuited to his formation. In that way Mr. Bazzard became my clerk, and he feels it very much.'
'I am glad he is grateful,' said Rosa.
'I didn't quite mean that, my dear. I mean, that he feels the degradation. There are some other geniuses that Mr. Bazzard has become acquainted with, who have also written tragedies, which likewise nobody will on any account whatever hear of bringing out, and these choice spirits dedicate their plays to one another in a highly panegyrical manner. Mr. Bazzard has been the subject of one of these dedications. Now, you know, I never had a play dedicated to ME!'
Rosa looked at him as if she would have liked him to be the recipient of a thousand dedications.
'Which again, naturally, rubs against the grain of Mr. Bazzard,' said Mr. Grewgious. 'He is very short with me sometimes, and then I feel that he is meditating, "This blockhead is my master! A fellow who couldn't write a tragedy on pain of death, and who will never have one dedicated to him with the most complimentary congratulations on the high position he has taken in the eyes of posterity!" Very trying, very trying. However, in giving him directions, I reflect beforehand: "Perhaps he may not like this," or "He might take it ill if I asked that;" and so we get on very well. Indeed, better than I could have expected.'
'Is the tragedy named, sir?' asked Rosa.
'Strictly between ourselves,' answered Mr. Grewgious, 'it has a dreadfully appropriate name. It is called The Thorn of Anxiety. But Mr. Bazzard hopes--and I hope--that it will come out at last.'
It was not hard to divine that Mr. Grewgious had related the Bazzard history thus fully, at least quite as much for the recreation of his ward's mind from the subject that had driven her there, as for the gratification of his own tendency to be social and communicative.
'And now, my dear,' he said at this point, 'if you are not too tired to tell me more of what passed to-day--but only if you feel quite able--I should be glad to hear it. I may digest it the better, if I sleep on it to-night.'
Rosa, composed now, gave him a faithful account of the interview. Mr. Grewgious often smoothed his head while it was in progress, and begged to be told a second time those parts which bore on Helena and Neville. When Rosa had finished, he sat grave, silent, and meditative for a while.
'Clearly narrated,' was his only remark at last, 'and, I hope, clearly put away here,' smoothing his head again. 'See, my dear,' taking her to the open window, 'where they live! The dark windows over yonder.'
'I may go to Helena to-morrow?' asked Rosa.
'I should like to sleep on that question to-night,' he answered doubtfully. 'But let me take you to your own rest, for you must need it.'
With that Mr. Grewgious helped her to get her hat on again, and hung upon his arm the very little bag that was of no earthly use, and led her by the hand (with a certain stately awkwardness, as if he were going to walk a minuet) across Holborn, and into Furnival's Inn. At the hotel door, he confided her to the Unlimited head chambermaid, and said that while she went up to see her room, he would remain below, in case she should wish it exchanged for another, or should find that there was anything she wanted.
Rosa's room was airy, clean, comfortable, almost gay. The Unlimited had laid in everything omitted from the very little bag (that is to say, everything she could possibly need), and Rosa tripped down the great many stairs again, to thank her guardian for his thoughtful and affectionate