The Classic Mystery Collection - Arthur Conan Doyle [3603]
Amabel's excuse for handling the treasure, and for her reburial of the same, comes now within the bounds of possibility. She hoped to share this money some day, and her greed was too great for her to let such an amount lie there untouched, while her caution led her to bury it deeper, even at the risk of the discovery she was too inexperienced to fear.
That she should forget to feign surprise when the alarm of murder was raised was very natural, and so was the fact that a woman with a soul so blunted to all delicate instincts, and with a mind so intent upon perfecting the scheme entered into by the murderer of throwing the blame upon the man whose dagger had been made use of, should persist in visiting the scene of crime and calling attention to the spot where that dagger had fallen. And so with her manner before her examiners. Baffling as that manner was, it still showed streaks of consistency, when you thought of it as the cloak of a subtle, unprincipled woman, who sees amongst her interlocutors the guilty man whom by a word she can destroy, but whom she exerts herself to save, even at the cost of a series of bizarre explanations. She was playing with a life, a life she loved, but not with sincerity sufficient to rob the game of a certain delicate, if inconceivable, intellectual enjoyment. [Footnote: That Sweetwater in his hate, and with no real clew to the real situation, should come so near the truth as in this last supposition, shows the keenness of his insight.]
And Frederick? Had there been anything in his former life or in his conduct since the murder to give the lie to these heavy doubts against him? On the contrary. Though Sweetwater knew little of the dark record which had made this young man the disgrace of his family, what he did know was so much against him that he could well see that the distance usually existing between simple dissipation and desperate crime might be easily bridged by some great necessity for money. Had there been such a necessity? Sweetwater found it easy to believe so. And Frederick's manner? Was it that of an honest man simply shocked by the suspicions which had fallen upon the woman he loved? Had he, Sweetwater, not observed certain telltale moments in his late behaviour that required a deeper explanation even than this?
The cry, for instance, with which he had rushed from the empty ballroom into the woods on the opposite side of the road! Was it a natural cry or an easily explainable one? "Thank God! this terrible night is over!" Strange language to be uttered by this man at such a time and in such a place, if he did not already know what was to make this night of nights memorable through all this region. He did know, and this cry which had struck Sweetwater strangely at the time and still more strangely when he regarded it simply as a coincidence, now took on all the force of a revelation and the irresistible bubbling up in Frederick's breast of that remorse which had just found its full expression on Agatha's grave.
To some that remorse and all his other signs of suffering might be explained by his passion for the real criminal. But to Sweetwater it was only too evident that an egotist like Frederick Sutherland cannot suffer for another to such an extent as this, and that a personal explanation must be given for so personal a grief, even if that explanation involves the dreadful charge of murder.
It was when Sweetwater reached this point in his reasoning that Frederick disappeared beneath Mr. Halliday's porch, and Mr. Sutherland came up behind him. After the short conversation in which Sweetwater saw his own doubts more than reflected in the uneasy consciousness of this stricken father, he went home and the struggle of his life began.
XXII
SWEETWATER ACTS
Sweetwater had promised Mr. Sutherland that he would keep counsel in regard to his present convictions concerning