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The Classic Mystery Collection - Arthur Conan Doyle [372]

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may be wrong; but it seemed to me that the company made three attempts to get you to talk about an embalmed body said to be found in Sussex. And you, on your side, very courteously offered to talk - first about algebra, and then about the Fascisti, and then about the landscape of the Downs.'

'In short,' replied the Professor, 'you thought I was ready to talk about any subject but that one. You were quite right.'

The Professor was silent for a little time, looking down at the tablecloth; then he looked up and spoke with that swift impulsiveness that suggested the lion's leap.

'See here. Father Brown,' he said, 'I consider you about wisest and whitest man I ever met.'

Father Brown was very English. He had all the normal nation helplessness about what to do with a serious and sincere compliment suddenly handed to him to his face in the American manner. His reply was a meaningless murmur; and it was the Professor who proceeded, with the same staccato earnestness: 'You see, up to a point it's all simple enough. A Christian tomb of the Dark Ages, apparently that of a bishop, has been found under a little church at Dulham on the Sussex coast. The Vicar happens to be a good bit of an archaeologist himself and has been able to find a good deal more than I know yet. There was a rumour of the corpse being embalmed in a way peculiar to Greeks and Egyptians but unknown in the West, especially at that date. So Mr Walters (that is the Vicar) naturally wonders about Byzantine influences. But he also mentions something else, that is of even more personal interest to me.'

His long grave face seemed to grow even longer and graver as he frowned down at the tablecloth. His long finger seemed to be tracing patterns on it like the plans of dead cities and their temples and tombs.

'So I'm going to tell you, and nobody else, why it is I have to be careful about mentioning that matter in mixed company; and why, the more eager they are to talk about it, the more cautious I have to be. It is also stated that in the coffin is a chain with a cross, common enough to look at, but with a certain secret symbol on the back found on only one other cross in the world. It is from the arcana of the very earliest Church, and is supposed to indicate St Peter setting up his See at Antioch before he came to Rome. Anyhow, I believe there is but one other like it, and it belongs to me. I hear there is some story about a curse on it; but I take no notice of that. But whether or no there is a curse, there really is, in one sense, a conspiracy; though the conspiracy should only consist of one man.'

'Of one man?' repeated Father Brown almost mechanically.

'Of one madman, for all I know,' said Professor Smaill. 'It's a long story and in some ways a silly one.'

He paused again, tracing plans like architectural drawings with his finger on the cloth, and then resumed: 'Perhaps I had better tell you about it from the beginning, in case you see some little point in the story that is meaningless to me. It began years and years ago, when I was conducting some investigations on my own account in the antiquities of Crete and the Greek islands. I did a great deal of it practically single - handed; sometimes with the most rude and temporary help from the inhabitants of the place, and sometimes literally alone. It was under the latter circumstances that I found a maze of subterranean passages which led at last to a heap of rich refuse, broken ornaments and scattered gems which I took to be the ruins of some sunken altar, and in which I found the curious gold cross. I turned it over, and on the back of it I saw the Ichthus or fish, which was an early Christian symbol, but of a shape and pattern rather different from that commonly found; and, as it seemed to me, more realistic - more as if the archaic designer had meant it to be not merely a conventional enclosure or nimbus, but to look a little more like a real fish. It seemed to me that there was a flattening towards one end of it that was not like mere mathematical decoration, but rather like a sort of rude or even savage

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