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'It is rather a long story and varies, like other local legends,' answered the Vicar. 'But it is undoubtedly contemporary with the time of the tomb; and the substance of it is embodied in the inscription and is roughly this: Guy de Gisors, a lord of the manor here early in the thirteenth century, had set his heart on a beautiful black horse in the possession of an envoy from Genoa, which that practical merchant prince would not sell except for a huge price. Guy was driven by avarice to the crime of pillaging the shrine and, according to one story, even killing the bishop, who was then resident there. Anyhow, the bishop uttered a curse which was to fall on anybody who should continue to withhold the gold cross from its resting - place in his tomb, or should take steps to disturb it when it had returned there. The feudal lord raised the money for the horse by selling the gold relic to a goldsmith in the town; but on the first day he mounted the horse the animal reared and threw him in front of the church porch, breaking his neck. Meanwhile the goldsmith, hitherto wealthy and prosperous, was ruined by a series of inexplicable accidents, and fell into the power of a Jew money - lender living in the manor. Eventually the unfortunate goldsmith, faced with nothing but starvation, hanged himself on an apple - tree. The gold cross with all his other goods, his house, shop, and tools, had long ago passed into the possession of the money - lender. Meanwhile, the son and heir of the feudal lord, shocked by the judgement on his blasphemous sire, had become a religious devotee in the dark and stern spirit of those times, and conceived it his duty to persecute all heresy and unbelief among his vassals. Thus the Jew, in his turn, who had been cynically tolerated by the father, was ruthlessly burnt by order of the son; so that he, in his turn, suffered for the possession of the relic; and after these three judgements, it was returned to the bishop's tomb; since when no eye has seen and no hand has touched it.'

Lady Diana Wales seemed to be more impressed than might have been expected. 'It really gives one rather a shiver,' she said, 'to think that we are going to be the first, except the vicar.'

The pioneer with the big moustaches and the broken English did not descend after all by his favourite ladder, which indeed had only been used by some of the workmen conducting the excavation; for the clergyman led them round to a larger and more convenient entrance about a hundred yards away, out of which he himself had just emerged from his investigations underground. Here the descent was by a fairly gradual slope with no difficulties save the increasing darkness; for they soon found themselves moving in single file down a tunnel as black as pitch, and it was some little time before they saw a glimmer of light ahead of them. Once during that silent march there was a sound like a catch in somebody's breath, it was impossible to say whose; and once there was an oath like a dull explosion, and it was in an unknown tongue.

They came out in a circular chamber like a basilica in a ring of round arches; for that chapel had been built before the first pointed arch of the Gothic had pierced our civilization like a spear. A glimmer of greenish light between some of the pillars marked the place of the other opening into the world above, and gave a vague sense of being under the sea, which was intensified by one or two other incidental and perhaps fanciful resemblances. For the dog - tooth pattern of the Norman was faintly traceable round all the arches, giving them, above the cavernous darkness, something of the look of the mouths of monstrous sharks. And in the centre the dark bulk of the tomb itself, with its lifted lid of stone, might almost have been the jaws of some such leviathan.

Whether out of the sense of fitness or from the lack of more modern appliances, the clerical antiquary had arranged for the illumination of the chapel only by four tall candles in big wooden candlesticks standing on the floor. Of these