The Classic Mystery Collection - Arthur Conan Doyle [3973]
"On your own initiative? Where was the Curator?"
"Not far, it seems. But he gets awfully absorbed in whatever he is doing, and there was no time to lose. Some one had shot that arrow, some one who might escape."
Mr. Gryce never allowed himself--or very rarely--to look at anyone full and square in the face; yet he always seemed to form an instant opinion of whomever he talked with. Perhaps he had already gauged this man and not unfavorably, for he showed not the slightest distrust as he remarked quite frankly:
"You must have had some suspicion of foul play even then, to act in so expeditious a manner."
"I don't know what my suspicions were. I simply followed my first impulse. I don't think it was a bad one. Do you, sir?"
"Far from it. But enough of that. Do you think"--here he drew Correy into the gallery out of earshot of the boy, who was watching them with all the curiosity of his fourteen years--"that this lad could have stolen from where we are standing now to the door where you first saw him, during the time you were making your rush up the stairs? Boys of his age are mighty quick, and----"
"I know it, sir; and I see what you mean. But even if he had been able to do this,--which I very much doubt,--no boy of his age could have strung that bow, or had he found it strung, have shot an arrow from it with force enough to kill. Only a hand accustomed to its use could handle a bow like that with any success."
"You know the bow, then? Saw it nearer than you said--possibly handled it?"
"No, sir; but I know its kind and have handled many of them."
"In this building?"
"Yes, sir, and in other museums where I have been. I have arranged and rearranged Indian exhibits for years."
"Then you think that the bow we saw behind the tapestry is an Indian one?"
"Without question."
The detective nodded and left him. One word with the boy, and he would feel free to go elsewhere.
It proved to be an amusing one. The boy, for all his enthusiasm as a scout, proved to be so hungry that he was actually doleful. More than that, he had a ticket for that afternoon's ball game in his pocket and feared that he would not be let out in time to see it. He therefore was quick with his answers, which certainly were ingenuous enough. He had been looking at the model of a ship (which could be seen through an open door), when he heard a woman cry out as if hurt, from somewhere down the gallery. He was running to see what it meant when a man came along who seemed in as great a hurry as himself. But he got there first--and so on and on, corroborating Correy's story in every particular. He was so honest (Mr. Gryce had been at great pains to trip him up in one of his statements and had openly failed) and yet so anxious for the detective to notice the ticket to the ball game which he held in one hand, that the old man took pity on him and calling an officer, ordered him to let the boy out--a concession to youth and innocence he was almost ready to regret when a woman of uncertain years and irate mien attacked him from the doorway he had just left, with the loud remark:
"If you let him go, you can let me go too. I was in this room at the same time he was and know no more about what happened over there than the dead. I have an appointment downtown of great importance. I shall miss it if you don't let me go at once."
"Is it of greater importance than the right which this dead girl's friends have to know by whose careless hands the arrow killing her was shot?" And without waiting for a reply, which was not readily forthcoming, Mr. Gryce handed her over to Correy with an injunction to see that she was given a comfortable seat below and proceeded to finish up this portion of the building by a search through the three great rooms extending along the rear.
He found them all empty and without clue of any kind, and satisfied that his real work lay in front, he returned thither with as much expedition as old age and rheumatism would admit. Why, in doing so, he went for the third time through the gallery instead of through rooms J, H and I, he did not