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"It wasn't a cry," was his quick reply. "It was something quite different, but dreadful, dreadful!"

Mr. Gryce's manner changed.

"Then you did hear it. You were near enough to distinguish between a scream and a gasp. Where were you, and why weren't you seen by my man when he went through the building?"

"I--I was kneeling out of sight--too shocked to move. But I grew tired of that and wanted to go; but on reaching the court, I found the doors closed. So I came here."

"Kneeling! Where were you kneeling?"

He made a quick gesture in the direction of the galleries.

The detective frowned, perhaps to hide his secret satisfaction.

"Won't you be a little more definite?" he asked; then as the man continued to hesitate he added, but as yet without any appreciable loss of kindliness: "Every other person here has been good enough to show us the exact place he was occupying at that serious moment. I must ask you to do the same; it is only just."

Was the look this called up one of fear or of simple repugnance? It might be either; but the detective was disposed to consider it fear.

"Will you lead the way?" he pursued. "I shall be glad to follow."

A glance of extreme reproach; then these words, uttered with painful intensity:

"You want me to go back there--where I saw--where I can see again--_I cannot_. I'm not well. I suffer. You will excuse me. You will allow me to say what I have to say, _here_."

"I'm sorry, but I cannot do that. The others have gone without question to their places; why should not you?"

"Because----" The word came brokenly and was followed by silence. Then, seeing the hopelessness of contending with police authority, he cast another glance of strong repulsion in the direction of the gallery and started to his feet. Mr. Gryce did the same, and together they crossed the court. But they got no further at this time than the foot of the staircase. Coroner Price, by an extra effort which seemed to be called for by the circumstances, had succeeded in picking up a jury from the people collected on the street, and entering at this moment, created a diversion which effectively postponed the detective's examination of his new witness.

When the opportunity came for resuming it, so much time had elapsed that Mr. Gryce looked for some decided change in the manner or bearing of the man who, unfortunately for his purposes, had thus been given a quiet hour in which to think. Better, much better, for the cause of justice, if he could have pushed him to the point at once, harried him, as it were, in hot blood. Now he might find him more difficult.

But when, in company with the Coroner, who now found himself free to assist him in his hunt for witnesses, he reapproached the Englishman sitting as before alone on his bench, it was to find him to all appearance in the same mind in which he had left him. He wore the same look and followed with the same reluctance when he was made to understand that the time had now come for him to show just where he was standing when that arrow was sped on its death-course. And greatly impressed by this fact, which in a way contradicted all his expectations, Mr. Gryce trod slowly after, watching with the keenest interest to see whether, on reaching the top of the steps, this man upon whose testimony so much depended would turn toward the southern gallery where the girl had fallen, or toward the northern one, where Correy had found the bow.

It looked as if he were going to the left, for his head turned that way as he cleared the final step. But his body soon swayed aside in the other direction, and by the time the old detective had himself reached the landing, Travis, closely accompanied by the Coroner, had passed through the first of the three arches leading to that especial section of the gallery where the concealing tapestry hung.

"The man is honest," was Mr. Gryce's first thought. "He is going to show us the bow and confess to what was undoubtedly an accident." But Mr. Gryce felt more or less ready to modify this impromptu conclusion when, on passing through the arch himself