The Classic Mystery Collection - Arthur Conan Doyle [4009]
The other--Carleton Roberts, his bosom friend, and the museum's chief director--is of a different type, but no less striking to the eye. For him, personality has done much toward raising him to his present status among the leading men of New York. While not tall, he is tall enough never to look short, owing to the trim elegance of his figure and the quiet dignity of his carriage. He does not need to turn his face to impress you with the idea that he is handsome; but when he does so, you find that your expectations are more than met by the reality. For though he may not have the strictly regular features we naturally associate with one of his poise and matchless outline, there is enough of that quality, and more than enough of that additional elusive something which is an attraction in itself, to make for handsomeness in a marked degree. He, like his friend, has passed his fortieth year, but nowhere save in his abundant locks can one see any sign of approaching age. They are quite white--cut close, but quite white, so white they attracted the notice of his companion, who stole more than one look at them as he chatted on in what had become almost a monologue, so little did Roberts join in the conversation.
Finally the Curator paused, and stealing another look at that white head, remarked anxiously:
"Have you not grown gray very suddenly? I don't remember your being whiter than myself the day I dined with you just preceding the horrible occurrence at the museum."
"I have been growing gray for a year," rejoined the other. "My father was white at forty; I am just forty-three."
"It becomes you, and yet--Roberts, you have taken this matter too much to heart. We were not to blame in any way, unless it was in having such deadly weapons within reach. How could one suppose----"
"Yes, how could one suppose!" echoed the director. "And the mystery of it! The police seem no nearer solving the problem now than on the night they practised archery in the galleries. It does wear on me, possibly because I live so much alone. I see----"
Here he stopped abruptly. They had been strolling in the direction of the house, and at this moment were not many paces from it.
"See what?" urged the Curator with an accent one might almost call tender--would have been called tender, if used in addressing a woman.
"See _her_, that dead girl!--constantly--at night when my eyes are shut--in the daytime while I go about my affairs, here, there and everywhere. The young, young face! so white, so still, so strangely and so unaccountably familiar! Do you feel the same? Did she remind you of anyone we know? I grow old trying to place her. I can say this to you; but not to another soul could I speak of what has become to me a sort of blind obsession. She was a stranger. I know of no Madame Duclos and am sure that I never saw her young daughter before; and yet I have started up in my bed more than once during these past few nights, confident that in another moment memory would supply the clue which will rid my mind of the eternal question as to where I have seen a face like hers before? But memory fails to answer; and the struggle, momentarily interrupted, begins again, to the destruction of my peace and comfort."
"Odd! but you must rid yourself of what unnerves you so completely. It does no good and only adds to regrets which are poignant enough in themselves."
"That is true; but--stop a minute. I see it now--her face, I mean. It comes