The Classic Mystery Collection - Arthur Conan Doyle [4068]
"Mr. Roberts, I have a great disappointment for you. This little vial of yours which held poison yesterday contained nothing but a few drops of harmless liquid to-day. The change was made in the night, by one suspicious of your intention. You will have to face the full consequences of your crime."
Carleton Roberts' arms collapsed and his face fell forward upon them, and they heard a groan. Then in the short silence which followed, another and a very different sound broke upon their ears. Seven clear calls from the cuckoo-clock rang out from the room beyond, followed by a woman's smothered cry.
It was the one ironic touch the situation had lacked. It pierced the heart of Carleton Roberts and started him in anguish to his feet.
"O God!" he cried, "that I should have let that thing of evil shriek out the wicked hours from day to day, only to torment her now with old remembrances! Why did I not crush it to atoms long ago? Why did I leave it hanging on my wall----"
With a dash he was in the hall. In another instant he was at the door of his bedroom, followed by the two officials crowding closely up behind him.
Would they find her there? Yes; where else should she be, she whom this call from the past might almost draw from the grave! She was there, but not in the spot where they had expected to see her, nor in that state of collapse of which her former weakness had given promise. Apart from Mr. Gryce, with her form drawn up to its full height she stood, with her finger pointing not at the cuckoo-clock as would seem most natural, but at a small newspaper print of the dead girl's face pinned up on another wall.
"Why is that here?" she cried in a passionate inquiry which ignored every other presence than that of him who must heed and answer her. "Carleton, Carleton, why have you pinned that young girl's face up opposite your bed where you can see it on waking, where it can look at you and you at it--Or----" here checked by a sudden thought she broke off, and her tone changed to one of doubt, "perhaps you did not put it there yourself? Perhaps its presence on your wall is a trick of the police to startle you into betrayal. Was it? Was it?"
"No, Ermentrude." The words came slowly but firmly. "I put it there myself. I thought it would haunt me less than if left to my imagination."
Then in a low tone which perhaps reached no other ears than hers:
"I do not know what it does to me; or what I see in it. Something besides youth and beauty. Something----"
"Hush!" She had him by the arm. "Forget it; these men are listening----"
But with a convulsive movement, he broke from her hold, and in so doing his eyes fell on a mirror confronting him from the opposite side of the room. Two faces were visible in it, his own and that of his young victim pictured in the print hanging on the wall behind him. They seemed alive. Both of them seemed alive, and as he saw them thus in conjunction, the sweet, pure countenance of the child he had instinctively mourned, peering at him over his guilty shoulder--the sweat started on his forehead and he uttered a great cry. Then he stood still, swaying from side to side, the eyes starting from his head in a horror transcending all that had gone before.
"Take him away!" she cried. "Out of the room! Let him remain anywhere but here. I pray you; I entreat."
But he was not to be moved.
"Ermentrude," he whispered; "they say her name was Duclos. She gave her name as Willetts. What _was_ her name? You know the truth and can tell me."
XXXIII
AGAIN THE CUCKOO-CLOCK
Then to the wonder and admiration of all, this extraordinary woman showed her full strength and the inexhaustible power she possessed over her own emotions. With a smile piteous in its triumph over a suffering the depths of which they were just beginning to sound, she held his gaze in hers and quietly said:
"You have driven me to the wall, Carleton. If I answer, nothing remains