The Classic Mystery Collection - Arthur Conan Doyle [4156]
It is the first duty of a good detective to visit the actual theatre of a crime and overhaul it inch by inch,—seeking, searching, investigating, looking for any, even the most insignificant, traces of the murderer's hands.
The sleeping-car, as I have said, had been side-tracked, its doors were sealed, and it was under strict watch and ward. But everything, of course, gave way before the detective, and, breaking through the seals, he walked in, making straight for the little room or compartment where the body of the victim still lay untended and absolutely untouched.
It was a ghastly sight, although not new in M. Floçon's experience. There lay the corpse in the narrow berth, just as it had been stricken. It was partially undressed, wearing only shirt and drawers. The former lay open at the chest, and showed the gaping wound that had, no doubt, caused death, probably instantaneous death. But other blows had been struck; there must have been a struggle, fierce and embittered, as for dear life. The savage truculence of the murderer had triumphed, but not until he had battered in the face, destroying features and rendering recognition almost impossible.
A knife had given the mortal wound; that was at once apparent from the shape of the wound. It was the knife, too, which had gashed and stabbed the face, almost wantonly; for some of these wounds had not bled, and the plain inference was that they had been inflicted after life had sped. M. Floçon examined the body closely, but without disturbing it. The police medical officer would wish to see it as it was found. The exact position, as well as the nature of the wounds, might afford evidence as to the manner of death.
But the Chief looked long, and with absorbed, concentrated interest, at the murdered man, noting all he actually saw, and conjecturing a good deal more.
The features of the mutilated face were all but unrecognizable, but the hair, which was abundant, was long, black, and inclined to curl; the black moustache was thick and drooping. The shirt was of fine linen, the drawers silk. On one finger were two good rings, the hands were clean, the nails well kept, and there was every evidence that the man did not live by manual labour. He was of the easy, cultured class, as distinct from the workman or operative.
This conclusion was borne out by his light baggage, which still lay about the berth,—hat-box, rugs, umbrella, brown morocco hand-bag. All were the property of some one well to do, or at least possessed of decent belongings. One or two pieces bore a monogram, "F.Q.," the same as on the shirt and under-linen; but on the bag was a luggage label, with the name, "Francis Quadling, passenger to Paris," in full. Its owner had apparently no reason to conceal his name. More strangely, those who had done him to death had been at no pains to remove all traces of his identity.
M. Floçon opened the hand-bag, seeking for further evidence; but found nothing of importance,—only loose collars, cuffs, a sponge and slippers, two Italian newspapers of an earlier date. No money, valuables, or papers. All these had been removed probably, and presumably, by the perpetrator of the crime.
Having settled the first preliminary but essential points, he next surveyed the whole compartment critically. Now, for the first time, he was struck with the fact that the window was open to its full height. Since when was this? It was a question to be put presently to the porter and any others who had entered the car, but the discovery drew him to examine the window more closely, and with good results.
At the ledge, caught on a projecting point on the far side, partly in, partly out of the car, was a morsel of white lace, a scrap of feminine apparel; although what part, or how it had come there, was not at once obvious to M. Floçon. A long and minute inspection of this bit of lace, which he was careful not to detach as yet from the