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The Classic Mystery Collection - Arthur Conan Doyle [4299]

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And yet this was the man Rouletabille had allowed to get away! Knowing all about him and who he was, he afforded the criminal an opportunity for another laugh at the society he had defied! I could not help admiring the bold stroke of the young journalist, because I felt certain his motive had been to protect both Mademoiselle Stangerson and rid Darzac of an enemy at the same time.

The crowd had barely recovered from the effect of the astonishing revelation when the hearing was resumed. The question in everybody's mind was: Admitting that Larsan was the murderer, how did he get out of The Yellow Room?

Rouletabille was immediately called to the bar and his examination continued.

"You have told us," said the President, "that it was impossible to escape from the end of the court. Since Larsan was leaning out of his window, he had left the court. How did he do that?"

"He escaped by a most unusual way. He climbed the wall, sprang onto the terrace, and, while we were engaged with the keeper's body, reached the gallery by the window. He then had little else to do than to open the window, get in and call out to us, as if he had just come from his own room. To a man of Ballmeyer's strength all that was mere child's play. And here, Monsieur, is the proof of what I say."

Rouletabille drew from his pocket a small packet, from which he produced a strong iron peg.

"This, Monsieur," he said, "is a spike which perfectly fits a hole still to be seen in the cornice supporting the terrace. Larsan, who thought and prepared for everything in case of any emergency, had fixed this spike into the cornice. All he had to do to make his escape good was to plant one foot on a stone which is placed at the corner of the chateau, another on this support, one hand on the cornice of the keeper's door and the other on the terrace, and Larsan was clear of the ground. The rest was easy. His acting after dinner as if he had been drugged was make believe. He was not drugged; but he did drug me. Of course he had to make it appear as if he also had been drugged so that no suspicion should fall on him for my condition. Had I not been thus overpowered, Larsan would never have entered Mademoiselle Stangerson's chamber that night, and the attack on her would not have taken place."

A groan came from Darzac, who appeared to be unable to control his suffering.

"You can understand," added Rouletabille, "that Larsan would feel himself hampered from the fact that my room was so close to his, and from a suspicion that I would be on the watch that night. Naturally, he could not for a moment believe that I suspected him! But I might see him leaving his room when he was about to go to Mademoiselle Stangerson. He waited till I was asleep, and my friend Sainclair was busy trying to rouse me. Ten minutes after that Mademoiselle was calling out, "Murder!"

"How did you come to suspect Larsan?" asked the President.

"My pure reason pointed to him. That was why I watched him. But I did not foresee the drugging. He is very cunning. Yes, my pure reason pointed to him; but I required tangible proof so that my eyes could see him as my pure reason saw him."

"What do you mean by your pure reason?"

"That power of one's mind which admits of no disturbing elements to a conclusion. The day following the incident of 'the inexplicable gallery,' I felt myself losing control of it. I had allowed myself to be diverted by fallacious evidence; but I recovered and again took hold of the right end. I satisfied myself that the murderer could not have left the gallery, either naturally or supernaturally. I narrowed the field of consideration to that small circle, so to speak. The murderer could not be outside that circle. Now who was in it? There was, first, the murderer. Then there were Daddy Jacques, Monsieur Stangerson, Frederic Larsan, and myself. Five persons in all, counting in the murderer. And yet, in the gallery, there were but four. Now since it had been demonstrated to me that the fifth could not have escaped, it was evident that one of the four present in the gallery must be a double

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