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He returned the little instrument to its place upon the cabinet.

"I wonder if the fact will strike you as significant," said he, "that the note which you have just heard can only be produced between sunrise and sunset?"

Without giving me time to reply:

"The most notable survival of black magic--that is, the scientific employment of darkness against light--is to be met with in Haiti and other islands of the West Indies."

"You are referring to Voodooism?" I said, slowly.

He nodded, replacing his pipe between his teeth.

"A subject, Mr. Knox, which I investigated exhaustively some years ago."

I was watching him closely as he spoke, and a shadow, a strange shadow, crept over his face, a look almost of exaltation--of mingled sorrow and gladness which I find myself quite unable to describe.

"In the West Indies, Mr. Knox," he continued, in a strangely altered voice, "I lost all and found all. Have you ever realized, sir, that sorrow is the price we must pay for joy?"

I did not understand his question, and was still wondering about it when I heard a gentle knock, the door opened, and a woman came in.

CHAPTER XIV

YSOLA CAMBER

I find it difficult, now, to recapture my first impression of that meeting. About the woman, hesitating before me, there was something unexpected, something wholly unfamiliar. She belonged to a type with which I was not acquainted. Nor was it wonderful that she should strike me in this fashion, since my wanderings, although fairly extensive, had never included the West Indies, nor had I been to Spain; and this girl --I could have sworn that she was under twenty--was one of those rare beauties, a golden Spaniard.

That she was not purely Spanish I learned later.

She was small, and girlishly slight, with slender ankles and exquisite little feet; indeed I think she had the tiniest feet of any woman I had ever met. She wore a sort of white pinafore over her dress, and her arms, which were bare because of the short sleeves of her frock, were of a child-like roundness, whilst her creamy skin was touched with a faint tinge of bronze, as though, I remember thinking, it had absorbed and retained something of the Southern sunshine. She had the swaying carriage which usually belongs to a tall woman, and her head and neck were Grecian in poise.

Her hair, which was of a curious dull gold colour, presented a mass of thick, tight curls, and her beauty was of that unusual character which makes a Cleopatra a subject of deathless debate. What I mean to say is this: whilst no man could have denied, for instance, that Val Beverley was a charmingly pretty woman, nine critics out of ten must have failed to classify this golden Spaniard correctly or justly. Her complexion was peach-like in the Oriental sense, that strange hint of gold underlying the delicate skin, and her dark blue eyes were shaded by really wonderful silken lashes.

Emotion had the effect of enlarging the pupils, a phenomenon rarely met with, so that now as she entered the room and found a stranger present they seemed to be rather black than blue.

Her embarrassment was acute, and I think she would have retired without speaking, but:

"Ysola," said Colin Camber, regarding her with a look curiously compounded of sorrow and pride, "allow me to present Mr. Malcolm Knox, who has honoured us with a visit."

He turned to me.

"Mr. Knox," he said, "it gives me great pleasure that you should meet my wife."

Perhaps I had expected this, indeed, subconsciously, I think I had. Nevertheless, at the words "my wife" I felt that I started. The analogy with Edgar Allan Poe was complete.

As Mrs. Camber extended her hand with a sort of appealing timidity, it appeared to me that she felt herself to be intruding. The expression in her beautiful eyes when she glanced at her husband could only be described as one of adoration; and whilst it was impossible to doubt his love for her, I wondered if his colossal egotism were capable of stooping to affection. I wondered if he knew how to tend and