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Never for a moment glancing aside, Rita pressed on as quickly as she could. Then her vague alarm became actual terror. She heard the brakes being applied to the car, and heard the gritty sound of the tires upon the roadway as the vehicle's headlong progress was suddenly checked. She had been seen--perhaps recognized, and whoever was in the car proposed to return to speak to her.

If her strength had allowed she would have run, but now it threatened to desert her altogether and she tottered weakly. A pattering of footsteps came from behind. Someone was running back to overtake her. Recognizing escape to be impossible, Rita turned just as the runner came up with her.

"Rita!" he cried, rather breathlessly. "Miss Dresden!"

She stood very still, looking at the speaker.

It was Monte Irvin.

CHAPTER XV

METAMORPHOSIS

As Irvin seized her hands and looked at her eagerly, half-fearfully, Rita achieved sufficient composure to speak.

"Oh, Mr. Irvin," she said, and found that her voice was not entirely normal, "what must you think--"

He continued to hold her hands, and:

"I think you are very indiscreet to be out alone at three o'clock in the morning," he answered gently. "I was recalled to London by urgent business, and returned by road--fortunately, since I have met you."

"How can I explain--"

"I don't ask you to explain--Miss Dresden. I have no right and no desire to ask. But I wish I had the right to advise you."

"How good you are," she began, "and I--"

Her voice failed her completely, and her sensitive lips began to tremble. Monte Irvin drew her arm under his own and led her back to meet the car, which the chauffeur had turned and which was now approaching.

"I will drive you home," he said, "and if I may call in the morning. I should like to do so."

Rita nodded. She could not trust herself to speak again. And having placed her in the car, Monte Irvin sat beside her, reclaiming her hand and grasping it reassuringly and sympathetically throughout the short drive. They parted at her door.

"Good night," said Irvin, speaking very deliberately because of an almost uncontrollable desire which possessed him to take Rita in his arms, to hold her fast, to protect her from her own pathetic self and from those influences, dimly perceived about her, but which intuitively he knew to be evil.

"If I call at eleven will that be too early?"

"No," she whispered. "Please come early. There is a matinee tomorrow."

"You mean today," he corrected. "Poor little girl, how tired you will be. Good night."

"Good night," she said, almost inaudibly.

She entered, and, having closed the door, stood leaning against it for several minutes. Bleakness and nausea threatened to overcome her anew, and she felt that if she essayed another step she must collapse upon the floor. Her maid was in bed, and had not been awakened by Rita's entrance. After a time she managed to grope her way to her bedroom, where, turning up the light, she sank down helplessly upon the bed.

Her mental state was peculiar, and her thoughts revolved about the journey from Oxford Street homeward. A thousand times she mentally repeated the journey, speaking the same words over and over again, and hearing Monte Irvin's replies.

In those few minutes during which they had been together her sentiments in regard to him had undergone a change. She had always respected Irvin, but this respect had been curiously compounded of the personal and the mercenary; his well-ordered establishment at Prince's Gate had loomed behind the figure of the man forming a pleasing background to the portrait. Without being showy he was a splendid "match" for any woman. His wife would have access to good society, and would enjoy every luxury that wealth could procure. This was the picture lovingly painted and constantly retouched by Rita's mother.

Now it had vanished. The background was gone, and only the man remained; the strong, reserved man whose deep voice had spoken so gently, whose devotion was so true and unselfish that he only sought to shield and protect her from follies the nature of which he did