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The Classic Mystery Collection - Arthur Conan Doyle [5402]

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an electric torch. With never another glance at Sin Sin Wa he went out into the passage and began to mount the stairs, presently finding himself in a room filled with all sorts of unsavory rubbish and containing a large cupboard. He uttered an exclamation of triumph.

Crossing the littered floor, and picking his way amid broken cane chairs, tea-chests, discarded garments and bedlaths, he threw open the cupboard door. Before him hung a row of ragged clothes and a number of bowler hats. Directing the ray of the torch upon the unsavory collection, he snatched coats and hats from the hooks upon which they depended and hurled them impatiently upon the floor.

When the cupboard was empty he stepped into it and began to bang upon the back. The savagery of his expression grew more marked than usual, and as he chewed his maxillary muscles protruded extraordinarily.

"If ever I sounded a brick wall," he muttered, "I'm doing it now."

Tap where he would--and he tapped with his knuckles and with the bone ferrule of his cane--there was nothing in the resulting sound to suggest that that part of the wall behind the cupboard was less solid than any other part.

He examined the room rapidly, then passed into another one adjoining it, which was evidently used as a bedroom. The latter faced towards the court and did not come in contact with the wall of the neighboring house. In both rooms the windows were fastened, and judging from the state of the fasteners were never opened. In that containing the cupboard outside shutters were also closed. Despite this sealing-up of the apartments, traces of fog hung in the air. Kerry descended the stairs.

Snapping off the light of his torch, he stood, feet wide apart, staring at Sin Sin Wa. The latter, smiling imperturbably, yellow hands resting upon knees, sat quite still on the tea-chest. Constable Bryce was seated on a corner of the table, looking curiously awkward in his tweed overcoat and bowler hat, which garments quite failed to disguise the policeman. He stood up as Kerry entered. Then:

"There used to be a door between this house and the next," said Kerry succinctly. "My information is exact and given by someone who has often used that door."

"Bloody liar," murmured Sin Sin Wa.

"What!" shouted Kerry. "What did you say, you yellow-faced mongrel!"

He clenched his fists and strode towards the Chinaman.

"Sarcee feller catchee pullee leg," explained the unmoved Sin Sin Wa. "Velly bad man tellee lie for makee bhoberry--getchee poor Chinaman in tlouble."

In the fog-bound silence Kerry could very distinctly be heard chewing. He turned suddenly to Bryce.

"Go back and fetch two men," he directed. "I should never find my way."

"Very good, sir."

Bryce stepped to the door, unable to hide the relief which he experienced, and opened it. The fog was so dense that it looked like a yellow curtain hung in the opening.

"Phew!" said Bryce. "I may be some little time, sir."

"Quite likely. But don't stop to pick daisies."

The constable went out, closing the door. Kerry laid his cane on the table, then stooped and tossed a cud of chewing-gum into the stove. From his waistcoat pocket he drew out a fresh piece and placed it between his teeth. Drawing a tea-chest closer to the stove, he seated himself and stared intently into the glowing heart of the fire.

Sin Sin Wa extended his arm and opened the little cupboard.

"Number one p'lice," croaked the raven drowsily.

"You catchee sleepee, Tling-a-Ling," said Sin Sin Wa.

He took out the green-eyed joss, set it tenderly upon a corner of the table, and closed the cupboard door. With a piece of chamois leather, which he sometimes dipped into a little square tin, he began to polish the hideous figure.

CHAPTER XXIX

DOUBTS AND FEARS

Monte Irvin raised his head and stared dully at Margaret Halley. It was very quiet in the library of the big old-fashioned house at Prince's Gate. A faint crackling sound which proceeded from the fire was clearly audible. Margaret's grey eyes were anxiously watching the man whose pose as he sat in the deep, saddle-back chair so curiously

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