The Classic Mystery Collection - Arthur Conan Doyle [5437]
Not two paces had Seton taken on to the mystifying wharf when:
"Sam Tuk barber! Entrance in cellar!" rapped a ghostly, muffled voice from beneath his feet. "Sam Tuk barber! Entrance in cellar!"
Seton Pasha stood still, temporarily bereft of speech. Then, "Kerry!" he cried. "Kerry! Where are you?"
But apparently his voice failed to reach the invisible speaker, for:
"Sam Tuk barber! Entrance in cellar!" repeated the voice.
Seton Pasha wasted no more time. He ran out into the narrow street. A man was on duty there.
"Call assistance!" ordered Seton briskly, "Send four men to join me at the barber's shop called Sam Tuk's! You know it?"
"Yes, sir; I searched it with Chief Inspector Kerry."
The note of a police whistle followed.
Ten minutes later the secret of Sam Tuk's cellar was unmasked. The place was empty, and the subterranean door locked; but it succumbed to the persistent attacks of axe and crowbar, and Seton Pasha was the first of the party to enter the vault. It was laden with chemical fumes. . . .
He found there an aged Chinaman, dead, seated by a stove in which the fire had burned very low. Sprawling across the old man's knees was the body of a raven. Lying at his feet was a woman, lithe, contorted, the face half hidden in masses of bright red hair.
"End case near the door!" rapped the voice of Kerry. "Slides to the left!"
Seton Pasha vaulted over the counter, drew the shelves aside, and entered the inner room.
By the dim light of a lantern burning upon a moorish coffee-table he discerned an untidy bed, upon which a second woman lay, pallid.
"God!" he muttered; "this place is a morgue!"
"It certainly isn't healthy!" said an irritable voice from the floor. "But I think I might survive it if you could spare a second to untie me."
Kerry's extensive practice in chewing and the enormous development of his maxillary muscles had stood him in good stead. His keen, strong teeth had bitten through the extemporized gag, and as a result the tension of the handkerchief which had held it in place had become relaxed, enabling him to rid himself of it and to spit out the fragments of filthy-tasting wood which the biting operation had left in his mouth.
Seton turned, stooped on one knee to release the captive . . . and found himself looking into the face of someone who sat crouched upon the divan behind the Chief Inspector. The figure was that of an oriental, richly robed. Long, slim, ivory hands rested upon his knees, and on the first finger of the right hand gleamed a big talismanic ring. But the face, surmounted by a white turban, was wonderful, arresting in its immobile intellectual beauty; and from under the heavy brows a pair of abnormally large eyes looked out hypnotically.
"My God!" whispered Seton, then:
"If you've finished your short prayer," rapped Kerry, "set about my little job."
"But, Kerry--Kerry, behind you!"
"I haven't any eyes in my back hair!"
Mechanically, half fearfully, Seton touched the hands of the crouching oriental. A low moan came from the woman in the bed, and:
"It's Kazmah!" gasped Seton. "Kerry . . . Kazmah is--a wax figure!"
"Hell!" said Chief Inspector Kerry.
CHAPTER XLII
A YEAR LATER
Beneath an awning spread above the balcony of one of those modern elegant flats, which today characterize Heliopolis, the City of the Sun, site of perhaps the most ancient seat of learning in the known world, a party of four was gathered, awaiting the unique spectacle which is afforded when the sun's dying rays fade from the Libyan sands and the violet wonder of the afterglow conjures up old magical Egypt from the ashes of the desert.
"Yes," Monte Irvin was saying, "only a year ago; but, thank God, it seems more like ten! Merciful time effaces sadness but spares joy."
He turned to his wife, whose flower-like face peeped out from a nest of white fur. Covertly he squeezed her hand, and was rewarded with a