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I was indeed surprised, but I said nothing. The next thing I handed him was a copy of Godey's Magazine, several years old. He opened it carelessly, and in a moment read the following line: "I am dying, sweetheart, dying." "Doesn't that sound familiar? It reminds me at once of the poetic alarm clock that wakens me every morning,--'I am dying, Egypt, dying.' There is no doubt that Higginson's poem suggested this one. Here is the whole of the thing as it is printed here," he said, and read the following:

LOVE'S TWILIGHT

I am dreaming, loved one, dreaming Of the sweet and beauteous past When the world was as its seeming, Ere the fatal shaft was cast.

I am sobbing, sad-eyed, sobbing, At the darkly sullen west, Of the smile of ignorance robbing The pale face against the breast.

I am smiling, tear-stained, smiling, As the sun glints on the crest Of the troubled wave, beguiling Shipwrecked Hope to its long rest.

I am parting, broken, parting, From a soul that I hold dear, And the music of whose beauty Fades a dead strain on my ear.

I am dying, sweetheart, dying, Drips life's gold through palsied hands,-- See; the dead'ning Sun is sighing His last note in red'ning bands.

So I'm sighing, sinking, sighing, Flows life's river to the sea. Death my throbbing heart is tying With the strings that ache for thee.

"Yes," I said, when he had finished. "I shall have to admit that immediately suggests Higginson's poem and Cleopatra's name. But here, try this," and I threw an old copy of the Atlantic Monthly upon the table. Maitland opened it and laughed. "This may be mere chance, Doc," he said, "but it is remarkable, none the less. See here!" He held the magazine toward me, and I read: "Cleopatra's Needle. The Historic Significance of Central Park's New Monument. Some of the Difficulties that Attended its Transportation and Erection. By James Theodore Wright, Ph. D." I was dumfounded. Things were indeed getting interesting.

"Magazines and newspapers," I said, "seem to be altogether too much in your line. We'll try a book this time. Here," and I pulled the first one that came to hand, "is a copy of Tennyson's Poems I fancy it will trouble you to find your reference in that." Maitland took it in silence, and, opening it at random, began to read. The result surprised him even more than it did me. He had chanced upon these verses from "A Dream of Fair Women":

"'We drank the Libyan Sun to sleep, and lit Lamps which outburn'd Canopus. O my life In Egypt! O the dalliance and the wit, The flattery and the strife.

"'And the wild kiss when fresh from war's alarms, My Hercules, my Roman Antony, My mailed Bacchus leapt into my arms, Contented there to die!

"'And there he died! And when I heard my name Sigh'd forth with life, I would not brook my fear Of the other! With a worm I balked his fame. What else was left? look here!'

"With that she tore her robe apart and half The polished argent of her breast to sight Laid bare. Thereto she pointed with a laugh, Showing the aspic's bite."

"There is no doubt about that," I said, as he laid the book upon the table. "I want to try this thing once more. Here is Pascal; if you can find any reference to the 'Serpent of the Nile' in that, you needn't go any farther, I shall be satisfied," and I passed the book to him. He turned the pages over in silence for half a minute, or so, and then said: "I guess this counts as a failure,--no, though, by Jove! Look here!" His face was of almost deathly pallor, and his finger trembled upon the passage it indicated as he held the book toward me. I glanced with some anxiety from his face to the book, and read, as nearly as I now can remember: "If Cleopatra's nose had been shorter, the entire face of the world would have been changed."

It was some minutes before Maitland fully regained his composure, and during that time neither of us spoke. "Well, Doc," he said at length, and his manner was decidedly grave, even for him:

"What do you make of it?" I didn't