The Classic Mystery Collection - Arthur Conan Doyle [591]
'I suppose they drowned him, or threw him in the water when he was dead,' snorted the young man impatiently.
Father Brown blinked thoughtfully and then said: 'A river is a good place to hide an imaginary body. It's a rotten bad place to hide a real one. I mean, it's easy to say you've thrown it in, because it might be washed away to sea. But if you really did throw it in, it's about a hundred to one it wouldn't; the chances of it going ashore somewhere are enormous. I think they must have had a better scheme for hiding the body than that - or the body would have been found by now. And if there were any marks of violence - '
'Oh, bother hiding the body,' said Henry, with some irritation; 'haven't we witness enough in the writing on their own devilish tree?'
'The body is the chief witness in every murder,' answered the other. 'The hiding of the body, nine times out of ten, is the practical problem to be solved.'
There was a silence; and Father Brown continued to turn over the red dressing - gown and spread it out on the shining grass of the sunny shore; he did not look up. But, for some time past he had been conscious that the whole landscape had been changed for him by the presence of a third party; standing as still as a statue in the garden.
'By the way,' he said, lowering his voice, 'how do you explain that little guy with the glass eye, who brought your poor uncle a letter yesterday? It seemed to me he was entirely altered by reading it; that's why I wasn't surprised at the suicide, when I thought it was a suicide. That chap was a rather low - down private detective, or I'm much mistaken.'
'Why,' said Henry in a hesitating manner, 'why, he might have been - husbands do sometimes put on detectives in domestic tragedies like this, don't they? I suppose he'd got the proofs of their intrigue; and so they - '
'I shouldn't talk too loud,' said Father Brown, 'because your detective is detecting us at this moment, from about a yard beyond those bushes.'
They looked up, and sure enough the goblin with the glass eye was fixing them with that disagreeable optic, looking all the more grotesque for standing among the white and waxen blooms of the classical garden.
Henry Sand scrambled to his feet again with a rapidity that seemed breathless for one of his bulk, and asked the man very angrily and abruptly what he was doing, at the same time telling him to clear out at once.
'Lord Stanes,' said the goblin of the garden, 'would be much obliged if Father Brown would come up to the house and speak to him.'
Henry Sand turned away furiously; but the priest put down his fury to the dislike that was known to exist between him and the nobleman in question. As they mounted the slope, Father Brown paused a moment as if tracing patterns on the smooth tree - trunk, glanced upwards once at the darker and more hidden hieroglyph said to be a record of romance; and then stared at the wider and more sprawling letters of the confession, or supposed confession of suicide.
'Do those letters remind you of anything?' he asked. And when his sulky companion shook his head, he added: 'They remind me of the writing on that placard that threatened him with the vengeance of the strikers.'
'This is the hardest riddle and the queerest tale I have ever tackled,' said Father Brown, a month later, as he sat opposite Lord Stanes in the recently furnished apartment of No. 188, the end flat which was the last to be finished before the interregnum of the industrial dispute and the transfer of work from the Trade Union. It was comfortably furnished; and Lord Stanes was presiding over grog and cigars, when the priest made his confession with a grimace. Lord Stanes had become rather surprisingly friendly, in a cool and casual way.
'I know that is saying a good deal, with your record,' said Stanes, 'but certainly the detectives, including our seductive friend with the glass eye, don't seem at all able to see the solution.'
Father Brown laid down his cigar and said carefully: 'It isn't that they can't see the solution. It is that they can't see