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The Classic Mystery Collection - Arthur Conan Doyle [603]

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She was thinking of the desecration of the relic; but also of the desecration of the death - bed. The brother's one of those shoddy “scientific” rebels who tinker with dud bombs; an idealist run to seed. But he's devoted to Tiger; and so is the gardener. Perhaps it's a point in his favour that so many people seem devoted to him.

'There was one little point that set me guessing very early. Among the old books the doctor was turning over, was a bundle of seventeeth - century pamphlets; and I caught one title: True Declaration of the Trial and Execution of My Lord Stafford. Now Stafford was executed in the Popish Plot business, which began with one of history's detective stories; the death of Sir Edmund Berry Godfrey. Godfrey was found dead in a ditch, and part of the mystery was that he had marks of strangulation, but was also transfixed with his own sword. I thought at once that somebody in the house might have got the idea from here. But he couldn't have wanted it as a way of committing a murder. He can only have wanted it as a way of creating a mystery. Then I saw that this applied to all the other outrageous details. They were devilish enough; but it wasn't mere devilry; there was a rag of excuse; because they had to make the mystery as contradictory and complicated as possible, to make sure that we should be a long time solving it - or rather seeing through it. So they dragged the poor old man off his deathbed and made the corpse hop and turn cartwheels and do everything that it couldn't have done. They had to give us an Insoluble Problem. They swept their own tracks off the path, leaving the broom. Fortunately we did see through it in time.'

'You saw through it in time,' said Flambeau. 'I might have lingered a little longer over the second trail they left, sprinkled with assorted pills.'

'Well, anyhow, we got away,' said Father Brown, comfortably.

'And that, I presume,' said Flambeau, 'is the reason I am driving at this rate along the road to Casterbury.'

That night in the monastery and church at Casterbury there were events calculated to stagger monastic seclusion. The reliquary of St Dorothy, in a casket gorgeous with gold and rubies, was temporarily placed in a side room near the chapel of the monastery, to be brought in with a procession for a special service at the end of Benediction. It was guarded for the moment by one monk, who watched it in a tense and vigilant manner; for he and his brethren knew all about the shadow of peril from the prowling of Tiger Tyrone. Thus it was that the monk was on his feet in a flash, when he saw one of the low - latticed windows beginning to open and a dark object drawling like a black serpent through the crack. Rushing across, he gripped it and found it was the arm and sleeve of a man, terminating with a handsome cuff and a smart dark - grey glove. Laying hold of it, he shouted for help, and even as he did so, a man darted into the room through the door behind his back and snatched the casket he had left behind him on the table. Almost at the same instant, the arm wedged in the window came away in his hand, and he stood holding the stuffed limb of a dummy.

Tiger Tyron had played that trick before, but to the monk it was a novelty. Fortunately, there was at least one person to whom the Tiger's tricks were not a novelty; and that person appeared with militant moustaches, gigantically framed in the doorway, at the very moment when the Tiger turned to escape by it. Flambeau and Tiger Tyrone looked at each other with steady eyes and exchanged something that was almost like a military salute.

Meanwhile Father Brown had slipped into the chapel, to say a prayer for several persons involved in these unseemly events. But he was rather smiling than otherwise, and, to tell the truth, he was not by any means hopeless about Mr Tyrone and his deplorable family; but rather more hopeful than he was for many more respectable people. Then his thoughts widened with the grander perspectives of the place and the occasion. Against black and green marbles at the end of the rather rococo chapel,

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