The Classic Mystery Collection - Arthur Conan Doyle [607]
Father Brown had heard the story. But he knew that he never knew a story until he knew the characters in the story. He spent the next two or three days in going the rounds, on one polite excuse or another, to visit the chief actors of the drama. His first interview with the mysterious widow was brief but bright. He brought away from it at least two facts; one that Mrs Maltravers sometimes talked in a way which the Victorian village would call cynical; and, second, that like not a few actresses, she happened to belong to his own religious communion.
He was not so illogical (nor so unorthodox) as to infer from this alone that she was innocent of the alleged crime. He was well aware that his old religious communion could boast of several distinguished poisoners. But he had no difficulty in understanding its connection, in this sort of case, with a certain intellectual liberty which these Puritans would call laxity; and which would certainly seem to this parochial patch of an older England to be almost cosmopolitan. Anyhow, he was sure she could count for a great deal, whether for good or evil. Her brown eyes were brave to the point of battle, and her enigmatic mouth, humorous and rather large, suggested that her purposes touching the parson's poetical son, whatever they might be, were planted pretty deep.
The parson's poetical son himself, interviewed amid vast village scandal on a bench outside the Blue Lion, gave an impression of pure sulks. Hurrel Horner, a son of the Rev. Samuel Horner, was a square - built young man in a pale grey suit with a touch of something arty in a pale green tie, otherwise mainly notable for a mane of auburn hair and a permanent scowl. But Father Brown had a way with him in getting people to explain at considerable length why they refused to say a single word. About the general scandalmongering in the village, the young man began to curse freely. He even added a little scandalmongering of his own. He referred bitterly to alleged past flirtations between the Puritan Miss Carstairs – Carew and Mr Carver the solicitor. He even accused that legal character of having attempted to force himself upon the acquaintance of Mrs Maltravers. But when he came to speak of his own father, whether out of an acid decency or piety, or because his anger was too deep for speech, he snapped out only a few words.
'Well, there it is. He denounces her day and night as a painted adventuress; a sort of barmaid with gilt hair. I tell him she's not; you've met her yourself, and you know she's not. But he won't even meet her. He won't even see her in the street or look at her out of a window. An actress would pollute his house and even his holy presence. If he is called a Puritan he says he's proud to be a Puritan.'
'Your father,' said Father Brown, 'is entitled to have his views respected, whatever they are; they are not views I understand very well myself. But I agree he is not entitled to lay down the law about a lady he has never seen and then refuse even to look at her, to see if he is right. That is illogical.'
'That's his very stiffest point,' replied the youth. 'Not even one momentary meeting. Of course, he thunders against my other theatrical tastes as well.'
Father Brown swiftly followed up the new opening, and learnt much that he wanted to know. The alleged poetry, which was such a blot on the young man's character, was almost entirely dramatic poetry. He had written tragedies in verse which had been admired by good judges. He was no mere stage - struck fool; indeed he was no fool of any kind. He had some really original ideas about acting Shakespeare; it was easy to understand his having been dazzled and delighted by finding the brilliant lady at the Grange. And even the priest's intellectual