The Classic Mystery Collection - Arthur Conan Doyle [625]
"What question do you mean?" asked the other.
"Why, what poem he was making up, of course," said Father Brown rather impatiently. "What line he was stuck at, what epithet he was looking for, what climax he was trying to work up to. If there were any educated people in court, who know what literature is, they would have known well enough whether he had had anything genuine to do. You'd have asked a manufacturer about the conditions of his factory; but nobody seems to consider the conditions under which poetry is manufactured. It's done by doing nothing."
"That's all very well," replied the detective; "but why did he hide? Why did he climb up that crooked little stairway and stop there; it led nowhere."
"Why, because it led nowhere, of course," cried Father Brown explosively. "Anybody who clapped eyes on that blind alley ending in mid -air might have known an artist would want to go there, just as a child would."
He stood blinking for a moment, and then said apologetically: "I beg your pardon; but it seems odd that none of them understand these things. And then there was another thing. Don't you know that everything has, for an artist, one aspect or angle that is exactly right? A tree, a cow, and a cloud, in a certain relation only, mean something; as three letters, in one order only, mean a word. Well, the view of that illuminated garden from that unfinished bridge was the right view of it. It was as unique as the fourth dimension. It was a sort of fairy foreshortening; it was like looking down at heaven and seeing all the stars growing on trees and that luminous pond like a moon fallen flat on the fields in some happy nursery talc. He could have looked at it for ever. If you told him the path led nowhere, he would tell you it had led him to the country at the end of the world. But do you expect him to tell you that in the witness – is box? What would you say to him if he did? You talk about a man having a jury of his peers. Why don't you have a jury of poets?"
"You talk as if you were a poet yourself," said Bagshaw.
"Thank your stars I'm not," said Father Brown. "Thank your lucky stars a priest has to be more charitable than a poet. Lord have mercy on us, if you knew what a crushing, what a cruel contempt he feels for the lot of you, you'd feel as if you were under Niagara."
"You may know more about the artistic temperament than I do," said Bagshaw after a pause; "but, after all, the answer is simple. You can only show that he might have done what he did, without committing the crime. But it's equally true that he might have committed the crime. And who else could have committed it?"
"Have you thought about the servant, Green?" asked Father Brown, reflectively. "He told a rather queer story."
"Ah," cried Bagshaw quickly, "you think Green did it, after all."
"I'm quite sure he didn't," replied the other. "I only asked if you'd thought about his queer story. He only went out for some trifle, a drink or an assignation or what not. But he went out by the garden door and came back over the garden wall. In other words, he