The Classic Mystery Collection - Arthur Conan Doyle [679]
In the open space surrounded by the cloisters, there ran, like a circle in a square, a circular path paved with pale stones and edged with some sort of green enamel like an imitation lawn. Inside that, in the very centre, rose the basin of a dark-green fountain, or raised pond, in which water-lilies floated and goldfish flashed to and fro; and high above these, its outline dark against the dying light, was a great green image. Its back was turned to them and its face so completely invisible in the hunched posture that the statue might almost have been headless. But in that mere dark outline, in the dim twilight, some of them could see instantly that it was the shape of no Christian thing.
A few yards away, on the circular path, and looking towards the great green god, stood the man called the Master of the Mountain. His pointed and finely-finished features seemed moulded by some skilful craftsman as a mask of copper. In contrast with this, his dark-grey beard looked almost blue like indigo; it began in a narrow tuft on his chin, and then spread outwards like a great fan or the tail of a bird. He was robed in peacock green and wore on his bald head a high cap of uncommon outline: a head-dress none of them had ever seen before; but it looked rather Egyptian than Indian. The man was standing with staring eyes; wide open, fish-shaped eyes, so motionless that they looked like the eyes painted on a mummy-case. But though the figure of the Master of the Mountain was singular enough, some of the company, including Father Brown, did not look at him; they still looked at the dark-green idol at which he himself was looking.
"This seems a queer thing," said Hardcastle, frowning a little, "to set up in the middle of an old abbey cloister."
"Now, don't tell me you're going to be silly," said Lady Mounteagle. "That's just what we meant; to link up the great religions of East and West; Buddha and Christ. Surely you must understand that all religions are really the same."
"If they are," said Father Brown mildly, "it seems rather unnecessary to go into the middle of Asia to get one."
"Lady Mounteagle means that they are different aspects or facets, as there are of this stone," began Hardcastle; and becoming interested in the new topic, laid the great ruby down on the stone sill or ledge under the Gothic arch. "But it does not follow that we can mix the aspects in one artistic style. You may mix Christianity and Islam, but you can't mix Gothic and Saracenic, let alone real Indian."
As he spoke, the Master of the Mountain seemed to come to life like a cataleptic, and moved gravely round another quarter segment of the circle, and took up his position outside their own row of arches, standing with his back to them and looking now towards the idol's back. It was obvious that he was moving by stages round the whole circle, like a hand round a clock; but pausing for prayer or contemplation.
"What is his religion?" asked Hardcastle, with a faint touch of impatience.
"He says," replied Lord Mounteagle, reverently, "that it is older than Brahminism and purer than Buddhism."
"Oh," said Hardcastle, and continued to stare through his single eyeglass, standing with both his hands in his pockets.
"They say," observed the nobleman in his gentle but didactic voice, "that the deity called the God of Gods is carved in a colossal form in the cavern of Mount Meru----"
Even his lordship's lecturing serenity was broken abruptly by the voice that came over his shoulder. It came out of the darkness of the museum they had just left, when they stepped out into the cloister. At the sound of it the two younger men looked first incredulous, then furious, and then almost collapsed into laughter.
"I hope I do not intrude,"