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The Classic Mystery Collection - Arthur Conan Doyle [684]

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have the very opposite ambition and the very opposite shame. We should all be anxious that nobody should think we had done it. He was actually anxious that everybody should think he had--even when he hadn't. He actually stole the credit of stealing. While we were all casting the crime from us like a snake, he was actually luring it to him like a snake-charmer. But snakes are not pets in this country! Here the traditions of Christendom tell at once under a test like this. Look at old Mounteagle himself, for instance! Ah, you may be as Eastern and esoteric as you like, and weal a turban and a long robe and live on messages from Mahatmas; but if a bit of stone is stolen in your house, and your friends are suspected, you will jolly soon find out that you're an ordinary English gentleman in a fuss. The man who really did it would never want us to think he did it, for he also was an English gentleman. He was also something very much better; he was a Christian thief. I hope and believe he was a penitent thief."

"By your account," said his companion laughing, "the Christian thief and the heathen fraud went by contraries. One was sorry he'd done it and the other was sorry he hadn't."

"We mustn't be too hard on either of them," said Father Brown. "Other English gentlemen have stolen before now, and been covered by legal and political protection; and the West also has its own way of covering theft with sophistry. After all, the ruby is not the only kind of valuable stone in the world that has changed owners; it is true of other precious stones; often carved like cameos and coloured like flowers." The other looked at him inquiringly; and the priest's finger was pointed to the Gothic outline of the great Abbey. "A great graven stone," he said, "and that was also stolen."

VIII THE CHIEF MOURNER OF MARNE

A BLAZE of lightning blanched the grey woods tracing all the wrinkled foliage down to the last curled leaf, as if every detail were drawn in silverpoint or graven in silver. The same strange trick of lightning by which it seems to record millions of minute things in an instant of time, picked out everything, from the elegant litter of the picnic spread under the spreading tree to the pale lengths of winding road, at the end of which a white car was waiting. In the distance a melancholy mansion with four towers like a castle, which in the grey evening had been but a dim and distant huddle of walls like a crumbling cloud, seemed to spring into the foreground, and stood up with all its embattled, roofs and blank and staring windows. And in this, at least, the light had something in it of revelation. For to some of those grouped under the tree that castle was, indeed, a thing faded and almost forgotten, which was to prove its power to spring up again in the foreground of their lives.

The light also clothed for an instant, in the same silver splendour, at least one human figure that stood up as motionless as one of the towers. It was that of a tall man standing on a rise of ground above the rest, who were mostly sitting on the grass or stooping to gather up the hamper and crockery. He wore a picturesque short cloak or cape clasped with a silver clasp and chain, which blazed like a star when the flash touched it; and something metallic in his motionless figure was emphasized by the fact that his closely-curled hair was of the burnished yellow that can be really called gold; and had the look of being younger than his face, which was handsome in a hard aquiline fashion, but looked, under the strong light, a little wrinkled and withered. Possibly it had suffered from wearing a mask of make-up, for Hugo Romaine was the greatest actor of his day. For that instant of illumination the golden curls and ivory mask-and silver ornament made his figure gleam like that of a man in armour; the next instant his figure was a dark and even black silhouette against the sickly grey of the rainy evening sky.

But there was something about its stillness, like that of a statue, that distinguished it from the group at his feet. All the other figures around him

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