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The Classic Mystery Collection - Arthur Conan Doyle [690]

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his restless vanity from interfering. It's enough to say that one of the few things in which James Mair was admittedly ahead of him was marksmanship with a pistol; and with that the tragedy ended."

"You mean the tragedy began," replied the priest. "The tragedy of the survivor. I thought he did not need any monkish vampires to make him miserable."

"To my mind he's more miserable than he need be," said the general. "After all, as I say, it was a ghastly tragedy, but it was a fair fight. And Jim had great provocation."

"How do you know all this?" asked the priest.

"I know it because I saw it," answered Outram stolidly. "I was James Mair's second, and I saw Maurice Mair shot dead on the sands before my very eyes."

"I wish you would tell me more about it," said Father Brown reflectively. "Who was Maurice Mair's second?"

"He had a more distinguished backing," replied the general grimly. "Hugo Romaine was his second; the great actor, you know. Maurice was mad on acting and had taken up Romaine (who was then a rising but still a struggling man), and financed the fellow and his ventures in return for taking lessons from the professional in his own hobby of amateur acting. But Romaine was then, I suppose, practically dependent on his rich friend; though he's richer now than any aristocrat. So his serving as second proves very little about what he thought of the quarrel. They fought in the English fashion, with only one second apiece; I wanted at least to have a surgeon, but Maurice boisterously refused it, saying the fewer people who knew, the better; and at the worst we could immediately get help. 'There's a doctor in the village not half a mile away,' he said; 'I know him and he's got the fastest horse in the country. He could be brought here in no time; but there's no need to bring him here till we know.' Well, we all knew that Maurice ran most risk, as the pistol was not his weapon; so when he refused aid nobody liked to ask for it. The duel was fought on a flat stretch of sand on the east coast of Scotland; and both the sight and sound of it were masked from the hamlets inland by a long rampart of sandhills patched with rank grass; probably part of the links, though in those days no Englishman had heard of golf. There was one deep, crooked cranny in the sandhills through which we came out on the sands. I can see them now; first a wide strip of dead yellow, and beyond, a narrower strip of dark red; a dark red that seemed already like the long shadow of a deed of blood.

"The thing itself seemed to happen with horrible speed; as if a whirlwind had struck the sand. With the very crack of sound Maurice Mair seemed to spin like a teetotum and pitch upon his face like a ninepin. And queerly enough, while I'd been worrying about him up to that moment, the instant he was dead all my pity was for the man who killed him; as it is to this day and hour. I knew that with that, the whole huge terrible pendulum of my friend's life-long love would swing back; and that whatever cause others might find to pardon him, he would never pardon himself for ever and ever. And so, somehow, the really vivid thing, the picture that burns in my memory so that I can't forget it, is not that of the catastrophe, the smoke and the flash and the falling figure. That seemed to be all over, like the noise that wakes a man up. What I saw, what I shall always see, is poor Jim hurrying across towards his fallen friend and foe; his brown beard looking black against the ghastly pallor of his face, with its high features cut out against the sea; and the frantic gestures with which he waved me to run for the surgeon in the hamlet behind the sandhills. He had dropped his pistol as he ran; he had a glove in one hand and the loose and fluttering fingers of it seemed to elongate and emphasize his wild pantomime of pointing or hailing for help. That is the picture that really remains with me; and there is nothing else in that picture, except the striped background of sands and sea and the dark, dead body lying still as a stone, and the dark figure of the dead man's second

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