The Clocks - Agatha Christie [80]
It’s always well, I find, to go through all the motions, so I stepped off the carriage drive towards the block, looked up over my head as though startled, bent down to the grass, pretended to hunt about and finally straightened up, apparently transferring something from my hand to my pocket. Then I walked round the block until I came to the entrance.
At most times of the day I should think there was a porter here, but between the sacred hour of one and two the entrance hall was empty. There was a bell with a large sign above it, saying PORTER, but I did not ring it. There was an automatic lift and I went to it and pressed a button for the third floor. After that I had to check things pretty carefully.
It looks simple enough from the outside to place one particular room, but the inside of a building is confusing. However, I’ve had a good deal of practice at that sort of thing in my time, and I was fairly sure that I’d got the right door. The number on it, for better or worse, was No. 77. “Well,” I thought, “sevens are lucky. Here goes.” I pressed the bell and stood back to await events.
Twenty-five
COLIN LAMB’S NARRATIVE
I had to wait just a minute or two, then the door opened.
A big blonde Nordic girl with a flushed face and wearing gaycoloured clothing looked at me inquiringly. Her hands had been hastily wiped but there were traces of flour on them and there was a slight smear of flour on her nose so it was easy for me to guess what she had been doing.
“Excuse me,” I said, “but you have a little girl here, I think. She dropped something out of the window.”
She smiled at me encouragingly. The English language was not as yet her strong point.
“I am sorry—what you say?”
“A child here—a little girl.”
“Yes, yes.” She nodded.
“Dropped something—out of the window.”
Here I did a little gesticulation.
“I picked it up and brought it here.”
I held out an open hand. In it was a silver fruit knife. She looked at it without recognition.
“I do not think—I have not seen….”
“You’re busy cooking,” I said sympathetically.
“Yes, yes, I cook. That is so.” She nodded vigorously.
“I don’t want to disturb you,” I said. “If you let me just take it to her.”
“Excuse?”
My meaning seemed to come to her. She led the way across the hall and opened a door. It led into a pleasant sitting room. By the window a couch had been drawn up and on it there was a child of about nine or ten years old, with a leg done up in plaster.
“This gentleman, he say you—you drop….”
At this moment, rather fortunately, a strong smell of burning came from the kitchen. My guide uttered an exclamation of dismay.
“Excuse, please excuse.”
“You go along,” I said heartily. “I can manage this.”
She fled with alacrity. I entered the room, shut the door behind me and came across to the couch.
“How d’you do?” I said.
The child said, “How d’you do?” and proceeded to sum me up with a long, penetrating glance that almost unnerved me. She was rather a plain child with straight mousy hair arranged in two plaits. She had a bulging forehead, a sharp chin and a pair of very intelligent grey eyes.
“I’m Colin Lamb,” I said. “What’s your name?”
She gave me the information promptly.
“Geraldine Mary Alexandra Brown.”
“Dear me,” I said, “that’s quite a bit of a name. What do they call you?”
“Geraldine. Sometimes Gerry, but I don’t like that. And Daddy doesn’t approve of abbreviations.”
One of the great advantages of dealing with children is that they have their own logic. Anyone of adult years would at once have asked me what I wanted. Geraldine was quite ready to enter into conversation without resorting to foolish questions. She was alone and bored and the onset of any kind of