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The Collected Short Stories - Jeffrey Archer [147]

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being negotiated by your countrymen in Nigeria. And in addition, I shall personally see to it that no penalty clauses are honored.”

“Would you not consider such action a little precipitate?”

“Let me assure you, Mr. Gerber, that I would not lose one moment of sleep over such a decision,” said Ignatius. “Even if my efforts to discover those names were to bring your country to its knees I would not be moved.”

“So be it, Minister,” replied the chairman. “However, it still does not alter the policy or the attitude of this bank to confidentiality.”

“If that remains the case, sir, this very day I shall give instructions to our ambassador to close our embassy in Geneva, and I shall declare your ambassador in Lagos persona non grata.”

For the first time the chairman raised his eyebrows.

“Furthermore,” continued Ignatius, “I will hold a press conference in London which will leave the world’s media in no doubt of my head of state’s displeasure with the conduct of this bank. After such publicity, I feel confident you will find that many of your customers would prefer to close their accounts, while others who have in the past considered you a safe haven may find it necessary to look elsewhere.”

The minister waited, but still the chairman did not respond.

“Then you leave me no choice,” said Ignatius, rising from his seat.

The chairman stretched out his arm, assuming that at last the minister was leaving, only to watch with horror as Ignatius placed a hand in his jacket pocket and removed a small pistol. The two Swiss bankers froze as the Nigerian minister of finance stepped forward and pressed the muzzle against the chairman’s temple.

“I need those names, Mr. Gerber, and by now you must realize I will stop at nothing. If you don’t supply them immediately, I’m going to blow your brains out. Do you understand?”

The chairman gave a slight nod, beads of sweat appearing on his forehead. “And he will be next,” said Ignatius, gesturing toward the young assistant, who stood speechless and paralyzed a few paces away.

“Get me the names of every Nigerian who holds an account in this bank,” Ignatius said quietly, looking toward the young man, “or I’ll blow your chairman’s brains all over his soft pile carpet. Immediately, do you hear me?” he added sharply.

The young man looked toward the chairman, who was now trembling, but who said quite clearly, “Non, Pierre, jamais.”

“D’accord,” replied the assistant in a whisper.

“You can’t say I didn’t give you every chance.” Ignatius pulled back the hammer. The sweat was now pouring down the chairman’s face, and the young man had to turn his eyes away as he waited in terror for the pistol shot.

“Excellent,” said Ignatius, as he removed the gun from the chairman’s head and returned to his seat. Both the bankers were still trembling and quite unable to speak.

The minister picked up the battered briefcase by the side of his chair and placed it on the glass table in front of him. He pressed back the clasps and the lid flicked up.

The two bankers stared down at the neatly packed rows of hundred-dollar bills. Every inch of the briefcase had been taken up. The chairman quickly estimated that it probably amounted to around five million dollars.

“I wonder, sir,” said Ignatius, “how I go about opening an account with your bank?”

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Sally Summers won her school’s senior art prize at the age of fourteen. In her last four years at St. Bride’s the only serious competition was for second place. When, in her final year, she was awarded the top scholarship to the Slade School of Fine Art, none of her contemporaries was at all surprised. The headmistress told the assembled parents on Speech Day that she was confident that Sally had a distinguished career ahead of her, and that her work would soon be exhibited in one of London’s major galleries. Sally was flattered by all this unqualified praise, but still wasn’t sure if she had any real talent.

By the end of her first year at the Slade, the staff and senior students were already becoming aware of Sally’s work. Her drawing technique was regarded

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