The Collected Stories of Eudora Welty - Eudora Welty [108]
He rode on past the little intersecting trails, letting himself be guided by voices and by lights. It was battlesounds he heard most, sending him on, but sometimes ocean sounds, that long beat of waves that would make his heart pound and retreat as heavily as they, and he despaired again in his failure in Ireland when he took a voyage and persuaded with the Catholics with his back against the door, and then ran away to their cries of "Mind the white hat!" But when he heard singing it was not the militant and sharp sound of Wesley's hymns, but a soft, tireless and tender air that had no beginning and no end, and the softness of distance, and he had pleaded with the Lord to find out if all this meant that it was wicked, but no answer had come.
Soon night would descend, and a camp-meeting ground ahead would fill with its sinners like the sky with its stars. How he hungered for them! He looked in prescience with a longing of love over the throng that waited while the flames of the torches threw change, change, change over their faces. How could he bring them enough, if it were not divine love and sufficient warning of all that could threaten them? He rode on faster. He was a filler of appointments, and he filled more and more, until his journeys up and down creation were nothing but a shuttle, driving back and forth upon the rich expanse of his vision. He was homeless by his own choice, he must be everywhere at some time, and somewhere soon. There hastening in the wilderness on his flying horse he gave the night's torch-lit crowd a premature benediction, he could not wait. He spread his arms out, one at a time for safety, and he wished, when they would all be gathered in by his tin horn blasts and the inspired words would go out over their heads, to brood above the entire and passionate life of the wide world, to become its rightful part.
He peered ahead. "Inhabitants of Time! The wilderness is your souls on earth!" he shouted ahead into the treetops. "Look about you, if you would view the conditions of your spirit, put here by the good Lord to show you and afright you. These wild places and these trails of awesome loneliness lie nowhere, nowhere, but in your heart."
A dark man, who was James Murrell the outlaw, rode his horse out of a cane brake and began going along beside Lorenzo without looking at him. He had the alternately proud and aggrieved look of a man believing himself to be an instrument in the hands of a power, and when he was young he said at once to strangers that he was being used by Evil, or sometimes he stopped a traveler by shouting, "Stop! I'm the Devil!" He rode along now talking and drawing out his talk, by some deep control of the voice gradually slowing the speed of Lorenzo's horse down until both the horses were softly trotting. He would have wondered that nothing he said was heard, not knowing that Lorenzo listened only to voices of whose heavenly origin he was more certain.
Murrell riding along with his victim-to-be, Murrell riding, was Murrell talking. He told away at his long tales, with always a distance and a long length of time flowing through them, and all centered about a silent man. In each the silent man would have done a piece of evil, a robbery or a murder, in a place of long ago, and it was all made for the revelation in the end that the silent man was Murrell himself, and the long story had happened yesterday, and the place here—the Natchez Trace. It would only take one dawning look for the victim to see that all of this was another story and he himself had listened his way into it, and that he too was about to recede in time (to where the dread was forgotten)