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The Collected Stories of Eudora Welty - Eudora Welty [119]

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the wheels.

"It won't stop them," said Phoebe. "They're not satisfied in the least, it only makes them curious."

Cora was standing up in the open buggy, driving it like a chariot. "Give them the little baked hen, then," she said, and they threw it behind.

The little goats stopped, with their heads flecked to one side, and then their horns met over the prize.

There was a turn, and Asphodel was out of sight. The road went into a ravine and wound into the shade....

"We escaped," said Cora.

"I am thankful Miss Sabina did not live to see us then," said Irene. "She would have been ashamed of us—barefooted and running. She would never have given up the little basket we had saved back."

"He ought not to be left at liberty," cried Cora. She spoke soothingly to the old horse whose haunches still trembled, and then said, "I have a good mind to report him to the law!"

There was the great house where Miss Sabina had lived, high on the coming hill.

But Phoebe laughed aloud as they made the curve. Her voice was soft, and she seemed to be still in a tender dream and an unconscious celebration—as though the picnic were not already set rudely in the past, but were the enduring and intoxicating present, still the phenomenon, the golden day.

THE WINDS

When Josie first woke up in the night she thought the big girls of the town were having a hay-ride. Choruses and cries of what she did not question to be joy came stealing through the air. At once she could see in her mind the source of it, the Old Natchez Trace, which was at the edge of her town, an old dark place where the young people went, and it was called both things, the Old Natchez Trace and Lover's Lane. An excitement touched her and she could see in her imagination the Leaning wagon coming, the long white-stockinged legs of the big girls hung down in a fringe on one side of the hay—then as the horses made a turn, the boys' black stockings stuck out the other side.

But while her heart rose longingly to the pitch of their delight, hands reached under her and she was lifted out of bed.

"Don't be frightened," said her father's voice into her ear, as if he told her a secret.

Am I old? Am I invited? she wondered, stricken.

The chorus seemed to envelop her, but it was her father's thin night-shirt she lay against in the dark.

"I still say it's a shame to wake them up." It was her mother's voice coming from the doorway, though strangely argumentative for so late in the night.

Then they were all moving in the stirring darkness, all in their nightgowns, she and Will being led by their mother and father, and they in turn with their hands out as if they were being led by something invisible. They moved off the sleeping porch into the rooms of the house. The calls and laughter of the older children came closer, and Josie thought that at any moment their voices would all come together, and they would sing their favorite round, "Row, row, row your boat, gently down the stream—merrily, merrily, merrily, merrily—"

"Don't turn on the lights," said her father, as if to keep the halls and turnings secret within. They passed the front bedrooms; she knew it by the scent of her mother's verbena sachet and the waist-shape of the mirror which showed in the dark. But they did not go in there. Her father put little coats about them, not their right ones. In her sleep she seemed to have dreamed the sounds of all the windows closing, upstairs and down. Coming out of the guest-room was a sound like a nest of little mice in the hay; in a flash of pride and elation Josie discovered it to be the empty bed rolling around and squeaking on its wheels. Then close beside them was a small musical tinkle against the floor, and she knew the sound; it was Will's Tinker-Toy tower coming apart and the wooden spools and rods scattering down.

"Oh boy!" cried Will, spreading his arms high in his sleep and beginning to whirl about. "The house is falling down!"

"Hush," said their mother, catching him.

"Never mind," said their father, smoothing Josie's hair but speaking over her head. "Downstairs."

The

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