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The Collected Stories of Eudora Welty - Eudora Welty [132]

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was an even balance. On each side there was one easy chair with high springs, looking out, and a fern basket hanging over it from the ceiling, and a dishpan of zinnia seedlings growing at its foot on the floor. By the door was a plow-wheel, just a pretty iron circle, nailed up on one wall, and a square mirror on the other, a turquoise-blue comb stuck up in the frame, with the wash stand beneath it. On the door was a wooden knob with a pearl in the end, and Solomon's black hat hung on that, if he was in the house.

Out front was a clean dirt yard with every vestige of grass patiently uprooted and the ground scarred in deep whorls from the strike of Livvie's broom. Rose bushes with tiny blood-red roses blooming every month grew in threes on either side of the steps. On one side was a peach tree, on the other a pomegranate. Then coming around up the path from the deep cut of the Natchez Trace below was a line of bare crape-myrtle trees with every branch of them ending in a colored bottle, green or blue. There was no word that fell from Solomon's lips to say what they were for, but Livvie knew that there could be a spell put in trees, and she was familiar from the time she was born with the way bottle trees kept evil spirits from coming into the house—by luring them inside the colored bottles, where they cannot get out again. Solomon had made the bottle trees with his own hands ovei the nine years, in labor amounting to about a tree a year, and without a sign that he had any uneasiness in his heart, for he took as much pride in his precautions against spirits coming in the house as he took in the house, and sometimes in the sun the bottle trees looked prettier than the house did.

It was a nice house. It was in a place where the days would go by and surprise anyone that they were over. The lamplight and the firelight would shine out the door after dark, over the still and breathing country, lighting the roses and the bottle trees, and all was quiet there.

But there was nobody, nobody at all, not even a white person. And if there had been anybody, Solomon would not have let Livvie look at them, just as he would not let her look at a field hand, or a field hand look at her. There was no house near, except for the cabins of the tenants that were forbidden to her, and there was no house as far as she had been, stealing away down the still, deep Trace. She felt as if she waded a river when she went, for the dead leaves on the ground reached as high as her knees, and when she was all scratched and bleeding she said it was not like a road that went anywhere. One day, climbing up the high bank, she had found a graveyard without a church, with ribbon-grass growing about the foot of an angel (she had climbed up because she thought she saw angel wings), and in the sun, trees shining like burning flames through the great caterpillar nets which enclosed them. Scarey thistles stood looking like the prophets in the Bible in Solomon's house. Indian paint brushes grew over her head, and the mourning dove made the only sound in the world. Oh, for a stirring of the leaves, and a breaking of the nets! But not by a ghost, prayed Livvie, jumping down the bank. After Solomon took to his bed, she never went out, except one more time.

Livvie knew she made a nice girl to wait on anybody. She fixed things to eat on a tray like a surprise. She could keep from singing when she ironed, and to sit by a bed and fan away the flies, she could be so still she could not hear herself breathe. She could clean up the house and never drop a thing, and wash the dishes without a sound, and she would step outside to churn, for churning sounded too sad to her, like sobbing, and if it made her homesick and not Solomon, she did not think of that.

But Solomon scarcely opened his eyes to see her, and scarcely tasted his food. He was not sick or paralyzed or in any pain that he mentioned, but he was surely wearing out in the body, and no matter what nice hot thing Livvie would bring him to taste, he would only look at it now, as if he were past seeing how he could add anything

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