The Collected Stories of Eudora Welty - Eudora Welty [18]
Every now and then, as though he perceived some minute thing, a sudden alert, tantalized look would creep over the little man's face, and he would gaze slowly around him, quite slyly. Then he would bow his head again; the expression would vanish; some inner refreshment had been denied him. Behind his head was a wall poster, dirty with time, showing an old-fashioned locomotive about to crash into an open touring car filled with women in veils. No one in the station was frightened by the familiar poster, any more than they were aroused by the little man whose rising and drooping head it framed. Yet for a moment he might seem to you to be sitting there quite filled with hope.
Among the others in the station was a strong-looking young man, alone, hatless, red haired, who was standing by the wall while the rest sat on benches. He had a small key in his hand and was turning it over and over in his fingers, nervously passing it from one hand to the other, tossing it gently into the air and catching it again.
He stood and stared in distraction at the other people; so intent and so wide was his gaze that anyone who glanced after him seemed rocked like a small boat in the wake of a large one. There was an excess of energy about him that separated him from everyone else, but in the motion of his hands there was, instead of the craving for communication, something of reticence, even of secrecy, as the key rose and fell. You guessed that he was a stranger in town; he might have been a criminal or a gambler, but his eyes were widened with gentleness. His look, which traveled without stopping for long anywhere, was a hurried focusing of a very tender and explicit regard.
The color of his hair seemed to jump and move, like the flicker of a match struck in a wind. The ceiling lights were not steady but seemed to pulsate like a living and transient force, and made the young man in his preoccupation appear to tremble in the midst of his size and strength, ?nd to fail to impress his exact outline upon the yellow walls. He was like a salamander in the fire. "Take care," you wanted to say to him, and yet also, "Come here." Nervously, and quite apart in his distraction, he continued to stand tossing the key back and forth from one hand to the other. Suddenly it became a gesture of abandonment: one hand stayed passive in the air, then seized too late: the key fell to the floor.
Everyone, except Albert and Ellie Morgan, looked up for a moment. On the floor the key had made a fierce metallic sound like a challenge, a sound of seriousness. It almost made people jump. It was regarded as an insult, a very personal question, in the quiet peaceful room where the insects were tapping at the ceiling and each person was allowed to sit among his possessions and wait for an unquestioned departure. Little walls of reproach went up about them all.
A flicker of amusement touched the young man's face as he observed the startled but controlled and obstinately blank faces which turned toward him for a moment and then away. He walked over to pick up his key.
But it had glanced and slid across the floor, and now it lay in the dust at Albert Morgan's feet.
Albert Morgan was indeed picking up the key. Across from him, the young man saw him examine it, quite slowly, with wonder written all over his face and hands, as if it had fallen from the sky. Had he failed to hear the clatter? There was something wrong with Albert....
As if by decision, the young man did not terminate this wonder by claiming his key. He stood back, a peculiar flash of interest or of something more inscrutable, like resignation, in his lowered eyes.
The little man had probably been staring