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The Collected Stories of Eudora Welty - Eudora Welty [334]

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"You are youngest of six daughters, all beautiful and strong, five married to smart boys, Maria's Arrigo smart enough to be pharmacist. Five with babies to show. And what would you call every one those babies?"

The word rushed out. "Adorable!"

"Bellissimo! But you hang back."

"So O.K.! If you wouldn't follow me all the time!"

"I know the time to drop behind," said Mama sharply.

On deck all day, where she could see all that water, the smoother the ocean looked behind, the more apprehensive Gabriella felt; tourist deck faced backwards. She yelled that she wished the ship would turn around right where it was and take her back to the good old Statue of Liberty again. At that, Mama cast her eyes heavenward and a little to the left, like St. Cecilia on the cake plate at home, won on stunt night at the Sodality.

"Walk!" said the mothers to their daughters.

"You hear, Gabriella? Get up and walk!"

There was nowhere to go but in a circle—six of them walking arm-in-arm, dissolved in laughter; Maria-Pia Arpista almost had to be held up—especially when they wheeled at the turns and Gabriella gave her scream. For every time, there were the same black shawls, the same old caps, backed up against the blue—faces coming out of them that grew to be the only faces in the world, more solid a group than a family's, more persistent one by one than faces held fast in the memory or floating to nearness in dreams. On the best benches sat the old people, old enough to be going home to die—not noticing of the water, of the bad smells here and there, of where the warnings read "Pittura Fresca," or when the loudspeaker cried "Attenzione!" and the others flew to the rail to learn the worst. They cared only for which side of the boat the sun was shining on. If they heard Gabriella screaming, it would be hard to tell. They could not even speak English.

On the last bench on one side two black men sat together by themselves. They never said a word, they did not smile. Their feet were long as loaves of bread, and black as beetles, and each pair pointed outward east and west; together their four feet formed a big black M, for getting married, set out for young girls to fall over.

"Why you put your tongue out those black people? Is that nice?" said Mama. "Signora Arpista, your Maria-Pia needs to sit down, look her expression."

But by the third day out, Maria-Pia walked with Joe Monteoliveto, and her expression had changed. So did Mama's—she stepped up and joined Maria-Pia's mama, a few paces behind the new couple's heels, where she would get in on everything.

Gabriella took a long running jump to the other side of the deck. And there, only a little distance away, stood Aldo Scampo, all by himself, as though the breezes had just set him down. He stood at the rail looking out, his rich pompadour blowing. The shadow of the upper deck hung over him like a big jaw, or the lid of a trunk, with priests on it.

As Gabriella drew near, slowly, as though she brought bad news, he leaned low on his elbows, watching the birds drop into the water where the crew, below, were shooting guns through the portholes. Except for white frown marks, Aldo's forehead was all bright copper, and so were his nose and chin, his chest, his folded arms—as if he were dressed up in somebody's kitchen dowry over his well-known costume of yellow T-shirt and old army pants. The story Mama had of Aldo Scampo was that he was unmarried, was Californese, had mother, father, sisters, and brothers in America, and his mother's people lived in Nettuno, where they partly owned a boat; but as he rattled around in a cabin to himself, the complete story was not yet known.

Pop—pop—pop.

These were the small, tireless, black-and-gold island birds that had kept up with their ship so far today that Gabriella felt like telling them, "Go home, dopes"—only of course, having followed for such a long way, by now they could never fly all the way back. ("Attenzione!" the loudspeaker had warned—all for some land you couldn't see, the Azores.) Another small body plummeted down before Aldo, so close he

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