The Collection of Antiquities [29]
proof, marks a woman out with the kind of distinction which slander gives to a man. Nonentities are never slandered; they chafe because they are left in peace. This woman was, in fact, the Duchesse de Maufrigneuse, a daughter of the d'Uxelles; her father-in-law was still alive; she was not to be the Princesse de Cadignan for some years to come. A friend of the Duchesse de Langeais and the Vicomtesse de Beauseant, two glories departed, she was likewise intimate with the Marquise d'Espard, with whom she disputed her fragile sovereignty as queen of fashion. Great relations lent her countenance for a long while, but the Duchesse de Maufrigneuse was one of those women who, in some way, nobody knows how, or why, or where, will spend the rents of all the lands of earth, and of the moon likewise, if they were not out of reach. The general outline of her character was scarcely known as yet; de Marsay, and de Marsay only, really had read her. That redoubtable dandy now watched the Vidame de Pamiers' introduction of his young friend to that lovely woman, and bent over to say in Rastignac's ear:
"My dear fellow, he will go up WHIZZ! like a rocket, and come down like a stick," an atrociously vulgar saying which was remarkably fulfilled.
The Duchesse de Maufrigneuse had lost her heart to Victurnien after first giving her mind to a serious study of him. Any lover who should have caught the glance by which she expressed her gratitude to the Vidame might well have been jealous of such friendship. Women are like horses let loose on a steppe when they feel, as the Duchess felt with the Vidame de Pamiers, that the ground is safe; at such moments they are themselves; perhaps it pleases them to give, as it were, samples of their tenderness in intimacy in this way. It was a guarded glance, nothing was lost between eye and eye; there was no possibility of reflection in any mirror. Nobody intercepted it.
"See how she has prepared herself," Rastignac said, turning to de Marsay. "What a virginal toilette; what swan's grace in that snow- white throat of hers! How white her gown is, and she is wearing a sash like a little girl; she looks round like a madonna inviolate. Who would think that you had passed that way?"
"The very reason why she looks as she does," returned de Marsay, with a triumphant air.
The two young men exchanged a smile. Mme. de Maufrigneuse saw the smile and guessed at their conversation, and gave the pair a broadside of her eyes, an art acquired by Frenchwomen since the Peace, when Englishwomen imported it into this country, together with the shape of their silver plate, their horses and harness, and the piles of insular ice which impart a refreshing coolness to the atmosphere of any room in which a certain number of British females are gathered together. The young men grew serious as a couple of clerks at the end of a homily from headquarters before the receipt of an expected bonus.
The Duchess when she lost her heart to Victurnien had made up her mind to play the part of romantic Innocence, a role much understudied subsequently by other women, for the misfortune of modern youth. Her Grace of Maufrigneuse had just come out as an angel at a moment's notice, precisely as she meant to turn to literature and science somewhere about her fortieth year instead of taking to devotion. She made a point of being like nobody else. Her parts, her dresses, her caps, opinions, toilettes, and manner of acting were all entirely new and original. Soon after her marriage, when she was scarcely more than a girl, she had played the part of a knowing and almost depraved woman; she ventured on risky repartees with shallow people, and betrayed her ignorance to those who knew better. As the date of that marriage made it impossible to abstract one little year from her age without the knowledge of Time, she had taken it into her head to be immaculate. She scarcely seemed to belong to earth; she shook out her wide sleeves as if they had been wings. Her eyes fled to heaven at too warm a glance, or word, or thought.
There is a madonna painted
"My dear fellow, he will go up WHIZZ! like a rocket, and come down like a stick," an atrociously vulgar saying which was remarkably fulfilled.
The Duchesse de Maufrigneuse had lost her heart to Victurnien after first giving her mind to a serious study of him. Any lover who should have caught the glance by which she expressed her gratitude to the Vidame might well have been jealous of such friendship. Women are like horses let loose on a steppe when they feel, as the Duchess felt with the Vidame de Pamiers, that the ground is safe; at such moments they are themselves; perhaps it pleases them to give, as it were, samples of their tenderness in intimacy in this way. It was a guarded glance, nothing was lost between eye and eye; there was no possibility of reflection in any mirror. Nobody intercepted it.
"See how she has prepared herself," Rastignac said, turning to de Marsay. "What a virginal toilette; what swan's grace in that snow- white throat of hers! How white her gown is, and she is wearing a sash like a little girl; she looks round like a madonna inviolate. Who would think that you had passed that way?"
"The very reason why she looks as she does," returned de Marsay, with a triumphant air.
The two young men exchanged a smile. Mme. de Maufrigneuse saw the smile and guessed at their conversation, and gave the pair a broadside of her eyes, an art acquired by Frenchwomen since the Peace, when Englishwomen imported it into this country, together with the shape of their silver plate, their horses and harness, and the piles of insular ice which impart a refreshing coolness to the atmosphere of any room in which a certain number of British females are gathered together. The young men grew serious as a couple of clerks at the end of a homily from headquarters before the receipt of an expected bonus.
The Duchess when she lost her heart to Victurnien had made up her mind to play the part of romantic Innocence, a role much understudied subsequently by other women, for the misfortune of modern youth. Her Grace of Maufrigneuse had just come out as an angel at a moment's notice, precisely as she meant to turn to literature and science somewhere about her fortieth year instead of taking to devotion. She made a point of being like nobody else. Her parts, her dresses, her caps, opinions, toilettes, and manner of acting were all entirely new and original. Soon after her marriage, when she was scarcely more than a girl, she had played the part of a knowing and almost depraved woman; she ventured on risky repartees with shallow people, and betrayed her ignorance to those who knew better. As the date of that marriage made it impossible to abstract one little year from her age without the knowledge of Time, she had taken it into her head to be immaculate. She scarcely seemed to belong to earth; she shook out her wide sleeves as if they had been wings. Her eyes fled to heaven at too warm a glance, or word, or thought.
There is a madonna painted