The Complete Short Stories of Ernest Hemingway - Ernest Hemingway [28]
They were snow-bound a week in the Madlener-haus that time in the blizzard playing cards in the smoke by the lantern light and the stakes were higher all the time as Herr Lent lost more. Finally he lost it all. Everything, the Skischule money and all the season’s profit and then his capital. He could see him with his long nose, picking up the cards and then opening, “Sans Voir.” There was always gambling then. When there was no snow you gambled and when there was too much you gambled. He thought of all the time in his life he had spent gambling.
But he had never written a line of that, nor of that cold, bright Christmas day with the mountains showing across the plain that Barker had flown across the lines to bomb the Austrian officers’ leave train, machine-gunning them as they scattered and ran. He remembered Barker afterwards coming into the mess and starting to tell about it. And how quiet it got and then somebody saying, “You bloody murderous bastard.”
Those were the same Austrians they killed then that he skied with later. No not the same. Hans, that he skied with all that year, had been in the Kaiser-Jägers and when they went hunting hares together up the little valley above the saw-mill they had talked of the fighting on Pasubio and of the attack on Perticara and Asalone and he had never written a word of that. Nor of Monte Corona, nor the Sette Communi, nor of Arsiero.
How many winters had he lived in the Vorarlberg and the Arlberg? It was four and then he remembered the man who had the fox to sell when they had walked into Bludenz, that time to buy presents, and the cherry-pit taste of good kirsch, the fast-slipping rush of running powder-snow on crust, singing “Hi! Ho! said Rolly!” as you ran down the last stretch to the steep drop, taking it straight, then running the orchard in three turns and out across the ditch and onto the icy road behind the inn. Knocking your bindings loose, kicking the skis free and leaning them up against the wooden wall of the inn, the lamplight coming from the window, where inside, in the smoky, new-wine smelling warmth, they were playing the accordion.
“Where did we stay in Paris?” he asked the woman who was sitting by him in a canvas chair, now, in Africa.
“At the Crillon. You know that.”
“Why do I know that?”
“That’s where we always stayed.”
“No. Not always.”
“There and at the Pavillion Henri-Quatre in St. Germain. You said you loved it there.”
“Love is a dunghill,” said Harry. “And I’m the cock that gets on it to crow.”
“If you have to go away,” she said, “is it absolutely necessary to kill off everything you leave behind? I mean do you have to take away everything? Do you have to kill your horse, and your wife and burn your saddle and your armour?”
“Yes,” he said. “Your damned money was my armour. My Swift and my Armour.”
“Don’t.”
“All right. I’ll stop that. I don’t want to hurt you.”
“It’s a little bit late now.”
“All right then. I’ll go on hurting you. It’s more amusing. The only thing I ever really liked to do with you I can’t do now.”
“No, that’s not true. You liked to do many things and everything you wanted to do I did.”
“Oh, for Christ sake stop bragging, will you?”
He looked at her and saw her crying.
“Listen,” he said. “Do you think that it is fun to do this? I don’t know why I’m doing it. It’s trying to kill to keep yourself alive, I imagine. I was all right when we started talking. I didn’t mean to start this, and now I’m crazy as a coot and being as cruel to you as I can be. Don’t pay any attention, darling, to what I say. I love you, really. You know I love you. I’ve never loved any one else the way I love you.”
He slipped into the familiar lie he made his bread and butter by.
“You’re sweet to me.”
“You bitch,” he said. “You rich bitch. That’s poetry. I’m full of poetry now. Rot and poetry. Rotten poetry.”
“Stop it. Harry, why do you have to turn into a devil now?”