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“I don’t know,” Manuel said.

“You’re pretty near as old as I am,” Zurito said.

“I don’t know,” Manuel said. “I got to do it. If I can fix it so that I get an even break, that’s all I want. I got to stick with it, Manos.”

“No, you don’t.”

“Yes, I do. I’ve tried keeping away from it.”

“I know how you feel. But it isn’t right. You ought to get out and stay out.”

“I can’t do it. Besides, I’ve been going good lately.”

Zurito looked at his face.

“You’ve been in the hospital.”

“But I was going great when I got hurt.”

Zurito said nothing. He tipped the cognac out of his saucer into his glass.

“The papers said they never saw a better faena,” Manuel said.

Zurito looked at him.

“You know when I get going I’m good,” Manuel said.

“You’re too old,” the picador said.

“No,” said Manuel. “You’re ten years older than I am.”

“With me it’s different.”

“I’m not too old,” Manuel said.

They sat silent, Manuel watching the picador’s face.

“I was going great till I got hurt,” Manuel offered.

“You ought to have seen me, Manos,” Manuel said, reproachfully.

“I don’t want to see you,” Zurito said. “It makes me nervous.”

“You haven’t seen me lately.”

“I’ve seen you plenty.”

Zurito looked at Manuel, avoiding his eyes.

“You ought to quit it, Manolo.”

“I can’t,” Manuel said. “I’m going good now, I tell you.”

Zurito leaned forward, his hands on the table.

“Listen. I’ll pic for you and if you don’t go big tomorrow night, you’ll quit. See? Will you do that?”

“Sure.”

Zurito leaned back, relieved.

“You got to quit,” he said. “No monkey business. You got to cut the coleta.”

“I won’t have to quit,” Manuel said. “You watch me. I’ve got the stuff.”

Zurito stood up. He felt tired from arguing.

“You got to quit,” he said. “I’ll cut your coleta myself.”

“No, you won’t,” Manuel said. “You won’t have a chance.”

Zurito called the waiter.

“Come on,” said Zurito. “Come on up to the house.”

Manuel reached under the seat for his suitcase. He was happy. He knew Zurito would pic for him. He was the best picador living. It was all simple now.

“Come on up to the house and we’ll eat,” Zurito said.

Manuel stood in the patio de caballos waiting for the Charlie Chaplins to be over. Zurito stood beside him. Where they stood it was dark. The high door that led into the bull-ring was shut. Above them they heard a shout, then another shout of laughter. Then there was silence. Manuel liked the smell of the stables about the patio de caballos. It smelt good in the dark. There was another roar from the arena and then applause, prolonged applause, going on and on.

“You ever seen these fellows?” Zurito asked, big and looming beside Manuel in the dark.

“No,” Manuel said.

“They’re pretty funny,” Zurito said. He smiled to himself in the dark.

The high, double, tight-fitting door into the bull-ring swung open and Manuel saw the ring in the hard light of the arc-lights, the plaza, dark all the way around, rising high; around the edge of the ring were running and bowing two men dressed like tramps, followed by a third in the uniform of a hotel bell-boy who stooped and picked up the hats and canes thrown down onto the sand and tossed them back up into the darkness.

The electric light went on in the patio.

“I’ll climb onto one of those ponies while you collect the kids,” Zurito said.

Behind them came the jingle of the mules, coming out to go into the arena and be hitched onto the dead bull.

The members of the cuadrilla, who had been watching the burlesque from the runway between the barrera and the seals, came walking back and stood in a group talking, under the electric light in the patio. A good-looking lad in a silver-and-orange suit came up to Manuel and smiled.

“I’m Hernandez,” he said and put out his hand.

Manuel shook it.

“They’re regular elephants we’ve got tonight,” the boy said cheerfully.

“They’re big ones with horns,” Manuel agreed.

“You drew the worst lot,” the boy said.

“That’s all right,” Manuel said. “The bigger they are, the more meat for the poor.”

“Where did you get that