The Complete Short Stories of Evelyn Waugh - Evelyn Waugh [111]
Uncle Andrew gave me the keys of my father’s house. I went straight there from lunching with him. The shutters were up and the curtains drawn; the water and electric light were already cut off; all this my uncle had accomplished in a few days. I stumbled among sheeted furniture to the windows and let in the daylight. I went from room to room in this way. The place still retained its own smell—an agreeable, rather stuffy atmosphere of cigar smoke and cantaloupe; a masculine smell—women had always seemed a little out of place there, as in a London club on Coronation Day.
The house was sombre but never positively shabby so that, I suppose, various imperceptible renovations and replacements must have occurred from time to time. It looked what it was, the house of an unfashionable artist of the 1880s. The curtains and chair-covers were of indestructible Morris tapestry; there were Dutch tiles round the fireplaces; Levantine rugs on the floors; on the walls, Arundel prints, photographs from the old Masters, and majolica dishes. The furniture, now shrouded, had the inimitable air of having been in the same place for a generation; it was a harmonious, unobtrusive jumble of inherited rosewood and mahogany, and of inexpensive collected pieces of carved German oak, Spanish walnut, English chests and dressers, copper ewers and brass candlesticks. Every object was familiar and yet so much a part of its surroundings that later, when they came to be moved, I found a number of things which I barely recognized. Books, of an antiquated sort, were all over the house in a variety of hanging, standing and revolving shelves.
I opened the french windows in my father’s study and stepped down into the garden. There was little of spring to be seen here. The two plane trees were bare; under the sooty laurels last year’s leaves lay rotting. It was never a garden of any character. Once, before the flats came, we used to dine there sometimes, in extreme discomfort under the catalpa tree; for years now it had been a no-man’s-land isolating the studio at the further end; on one side, behind a trellis, were some neglected frames and beds where my father had once tried to raise French vegetables. The mottled concrete of the flats, with its soil pipes and fire escapes and its rash of iron-framed casement windows, shut out half the sky. The tenants of these flats were forbidden, in their leases, to do their laundry, but the