The Complete Stories - Flannery O'Connor [21]
“Willie!” Miss Lucia screamed, entering the dining room with the saltcellars. “For heaven’s sake, hold the catcher under the crumber or you’ll have those crumbs on the rug. I’ve Bisseled it four times in the last week and I am not going to do it again.”
“You have not Bisseled it on account of any crumbs I have spilled,” Miss Willerton said tersely. “I always pick up the crumbs I drop,” and she added, “I drop relatively few.”
“And wash the crumber before you put it up this time,” Miss Lucia returned.
Miss Willerton drained the crumbs into her hand and threw them out the window. She took the catcher and crumber to the kitchen and ran them under the cold-water faucet. She dried them and stuck them back in the drawer. That was over. Now she could get to the typewriter. She could stay there until dinnertime.
Miss Willerton sat down at her typewriter and let out her breath. Now! What had she been thinking about? Oh. Bakers. Hmmm. Bakers. No, bakers wouldn’t do. Hardly colorful enough. No social tension connected with bakers. Miss Willerton sat staring through her typewriter. A S D F G—her eyes wandered over the keys. Hmmm. Teachers? Miss Willerton wondered. No. Heavens no. Teachers always made Miss Willerton feel peculiar. Her teachers at Willowpool Seminary had been all right but they were women. Willowpool Female Seminary, Miss Willerton remembered. She didn’t like the phrase, Willowpool Female Seminary—it sounded biological. She always just said she was a graduate of Willowpool. Men teachers made Miss Willerton feel as if she were going to mispronounce something. Teachers weren’t timely anyhow. They weren’t even a social problem.
Social problem. Social problem. Hmmm. Sharecroppers! Miss Willerton had never been intimately connected with sharecroppers but, she reflected, they would make as arty a subject as any, and they would give her that air of social concern which was so valuable to have in the circles she was hoping to travel! “I can always capitalize,” she muttered, “on the hookworm.” It was coming to her now! Certainly! Her fingers plinked excitedly over the keys, never touching them. Then suddenly she began typing at great speed.
“Lot Motun,” the typewriter registered, “called his dog.” “Dog” was followed by an abrupt pause. Miss Willerton always did her best work on the first sentence. “First sentences,” she always said, “came to her—like a flash! Just like a flash!” she would say and snap her fingers, “like a flash!” And she built her story up from them. “Lot Motun called his dog” had been automatic with Miss Willerton, and reading the sentence over, she decided that not only was “Lot Motun” a good name for a sharecropper, but also that having him call his dog was an excellent thing to have a sharecropper do. “The dog pricked up its ears and slunk over to Lot.” Miss Willerton had the sentence down before she realized her error—two “Lots” in one paragraph. That was displeasing to the ear. The typewriter grated back and Miss Willerton applied three x’s to “Lot.” Over it she wrote in pencil, “him.” Now she was ready to go again. “Lot Motun called his dog. The dog pricked up its ears and slunk over to him.” Two dogs, too, Miss Willerton thought. Ummm. But that didn’t affect the ears like two “Lots,” she decided.
Miss Willerton was a great believer in what she called “phonetic art.” She maintained that the ear