The Complete Stories - Flannery O'Connor [259]
Two or three mornings later he was baling hay with the old woman’s sorry baler and her broken down tractor in a large field, cleared save for one enormous old tree standing in the middle of it. The old woman was the kind who would not cut down a large old tree because it was a large old tree. She had pointed it out to Parker as if he didn’t have eyes and told him to be careful not to hit it as the machine picked up hay near it. Parker began at the outside of the field and made circles inward toward it. He had to get off the tractor every now and then and untangle the baling cord or kick a rock out of the way. The old woman had told him to carry the rocks to the edge of the field, which he did when she was there watching. When he thought he could make it, he ran over them. As he circled the field his mind was on a suitable design for his back. The sun, the size of a golf ball, began to switch regularly from in front to behind him, but he appeared to see it both places as if he had eyes in the back of his head. All at once he saw the tree reaching out to grasp him. A ferocious thud propelled him into the air, and he heard himself yelling in an unbelievably loud voice, “GOD ABOVE!”
He landed on his back while the tractor crashed upsidedown into the tree and burst into flame. The first thing Parker saw were his shoes, quickly being eaten by the fire; one was caught under the tractor, the other was some distance away, burning by itself. He was not in them. He could feel the hot breath of the burning tree on his face. He scrambled backwards, still sitting, his eyes cavernous, and if he had known how to cross himself he would have done it.
His truck was on a dirt road at the edge of the field. He moved toward it, still sitting, still backwards, but faster and faster; halfway to it he got up and began a kind of forward bent run from which he collapsed on his knees twice. His legs felt like two old rusted rain gutters. He reached the truck finally and took off in it, zigzagging up the road. He drove past his house on the embankment and straight for the city, fifty miles distant.
Parker did not allow himself to think on the way to the city. He only knew that there had been a great change in his life, a leap forward into a worse unknown, and that there was nothing he could do about it. It was for all intents accomplished.
The artist had two large cluttered rooms over a chiropodist’s office on a back street. Parker, still barefooted, burst silently in on him at a little after three in the afternoon. The artist, who was about Parker’s own age—twenty-eight—but thin and bald, was behind a small drawing table, tracing a design in green ink. He looked up with an annoyed glance and did not seem to recognize Parker in the holloweyed creature before him.
“Let me see the book you got with all the pictures of God in it,” Parker said breathlessly. “The religious one.”
The artist continued to look at him with his intellectual, superior stare. “I don’t put tattoos on drunks,” he said.
“You know me!” Parker cried indignantly. “I’m O. E. Parker! You done work for me before and I always paid!”
The artist looked at him another moment as if he were not altogether sure. “You’ve fallen off some,” he said. “You must have been in jail.”
“Married,” Parker said.
“Oh,” said the artist. With the aid of mirrors the artist had tattooed on the top of his head a miniature owl, perfect in every detail. It was about the size of a half-dollar and served him as a show piece. There were cheaper artists in town but Parker had never wanted anything but the best. The artist went over to a cabinet at the back of the room and began to look over some art books. “Who are you interested in?” he said, “saints, angels, Christs or what?”
“God,” Parker said.
“Father, Son or Spirit?