The Complete Stories - Flannery O'Connor [62]
When he finished one side, he turned the sheet over and began to scan the advertisements for movies that filled the other side. His eye went over three columns without stopping; then it came to a box that advertised Gonga, Giant Jungle Monarch, and listed the theaters he would visit on his tour and the hours he would be at each one. In thirty minutes he would arrive at the Victory on 57th Street and that would be his last appearance in the city.
If anyone had watched Enoch read this, he would have seen a certain transformation in his countenance. It still shone with the inspiration he had absorbed from the comic strips, but something else had come over it: a look of awakening.
The waitress happened to turn around to see if he hadn’t gone.
“What’s the matter with you?” she said. “Did you swallow a seed?”
“I know what I want,” Enoch murmured.
“I know what I want too,” she said with a dark look.
Enoch felt for his stick and laid his change on the counter. “I got to be going.”
“Don’t let me keep you,” she said.
“You may not see me again,” he said,”—the way I am.
“Any way I don’t see you will be all right with me,” she said.
Enoch left. It was a pleasant damp evening. The puddles on the sidewalk shone and the store windows were steamy and bright with junk. He disappeared down a side street and made his way rapidly along the darker passages of the city, pausing only once or twice at the end of an alley to dart a glance in each direction before he ran on. The Victory was a small theater, suited to the needs of the family, in one of the closer subdivisions; he passed through a succession of lighted areas and then on through more alleys and back streets until he came to the business section that surrounded it. Then he slowed up. He saw it about a block away, glittering in its darker setting. He didn’t cross the street to the side it was on but kept on the far side, moving forward with his squint fixed on the glary spot. He stopped when he was directly across from it and hid himself in a narrow stair cavity that divided a building.
The truck that carried Gonga was parked across the street and the star was standing under the marquee, shaking hands with an elderly woman. She moved aside and a gentleman in a polo shirt stepped up and shook hands vigorously, like a sportsman. He was followed by a boy of about three who wore a tall Western hat that nearly covered his face; he had to be pushed ahead by the line. Enoch watched for some time, his face working with envy. The small boy was followed by a lady in shorts, she by an old man who tried to draw extra attention to himself by dancing up instead of walking in a dignified way. Enoch suddenly darted across the street and slipped noiselessly into the open back door of the truck.
The handshaking went on until the feature picture was ready to begin. Then the star got back in the van and the people filed into the theater. The driver and the man who was master of ceremonies climbed in the cab part and the truck rumbled off. It crossed the city rapidly and continued on the highway, going very fast.
There came from the van certain thumping noises, not those of the normal gorilla, but they were drowned out by the drone of the motor and the steady sound of wheels against the road. The night was pale and quiet, with nothing to stir it but an occasional complaint from a hoot owl and the distant muted jarring of a freight train. The truck sped on until it slowed for a crossing, and as the van rattled over the tracks, a figure slipped from the door and almost fell, and then limped hurriedly off toward the woods.
Once in the darkness