The Complete Stories_ Volume 1 - Isaac Asimov [291]
Then she looked up, and the little man was in the seat opposite. He caught her eye and grinned widely. A series of lines curled about the edges of his smile. He lifted his hat hastily and put it down beside him on top of the little black box he had been carrying. A circle of white hair instantly sprang up stiffly about the large bald spot that made the center of his skull a desert.
She could not help smiling back a little, but then she caught sight of the black box again and the smile faded. She yanked at Norman's elbow.
Norman looked up from his newspaper. He had startlingly dark eyebrows that almost met above the bridge of his nose, giving him a formidable first appearance. But they and the dark eyes beneath bent upon her now with only the usual look of pleased and somewhat amused affection.
He said, "What's up?" He did not look at the plump little man opposite.
Liwy did her best to indicate what she saw by a little unobtrusive gesture of her hand and head. But the little man was watching and she felt a fool, since Norman simply stared at her blankly.
Finally she pulled him closer and whispered, "Don't you see what's printed on his box?" She looked again as she said it, and there was no mistake. It was not very prominent, but the light caught it slantingly and it was a slightly more glistening area on a black background. In flowing script it said, "What If." The little man was smiling again. He nodded his head rapidly and pointed to the words and then to himself several times over.
Norman said in an aside, "Must be his name." '••' Liwy replied, "Oh, how could that be anybody's name?" Norman put his paper aside. "I'll show you." He leaned over and said, "Mr. If?" The little man looked at him eagerly.
"Do you have the time, Mr. If?"
The little man took out a large watch from his vest pocket and displayed the dial.
"Thank you, Mr. If," said Norman. And again in a whisper, "See, Liwy." He would have returned to his paper, but the little man was opening his box and raising a finger periodically as he did so, to enforce their attention. It was just a slab of frosted glass that he removed—about six by nine inches in length and width and perhaps an inch thick. It had beveled edges, rounded corners, and was completely featureless. Then he took out a little wire stand on which the glass slab fitted comfortably. He rested the combination on his knees and looked proudly at them.
Liwy said, with sudden excitement, "Heavens, Norman, it's a picture of some sort." Norman bent close. Then he looked at the little man. "What's this? A new kind of television?" The little man shook his head, and Liwy said, "No, Norman, it's us."
"What?"
"Don't you see? That's the streetcar we met on. There you are in the back seat wearing that old fedora I threw away three years ago. And that's Georgette and myself getting on. The fat lady's in the way. Now! Can't you see us?" He muttered, "It's some sort of illusion."
"But you see it too, don't you? That's why he calls this 'What If.' It will show us what if. What if the streetcar hadn't swerved . . ."
She was sure of it. She was very excited and very sure of it. As she looked at the picture in the glass slab, the late afternoon sunshine grew dimmer and the inchoate chatter