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5

The Colonel’s Lady

Original Title: Road to Inspiration

Zane Grey’s Western, November 1952

MATA LOBO WAS playing his favorite game. He stretched his legs stiffly behind him until his moccasined feet touched rock, and then he pushed, writhing his body against the soft, sandy ground, enjoying an animal pleasure from the blistering sun on his naked back and the feel of warm, yielding earth beneath him. His extended hand touched the stock of the Sharps rifle a few inches from his chin and sighted down the barrel for the hundredth time. The target area had not changed.

Sixty yards down the slope the military road came into view from between the low hills, cutting a sharp, treacherous arc to follow the bend of Banderas Creek on the near side and then to continue, paralleling the base of the hill, making the slow climb over this section of the Sierra Apaches. Mata Lobo’s front sight was dead on the sudden bend in the road.

He flexed his finger on the trigger and sighted again, taking in the slack, then releasing it. Not long now. In a few minutes he should hear the faint, faraway rattle of the stage as it weaved across the plain from Rindo’s Station at the Banderas Crossing. Six miles across straight, flat desert. And then louder—with a creaking—a grinding, jingling explosion of leather, wood, and horseflesh as the Hatch & Hodges Overland began the gradual climb over the woody western end of the Sierra Apaches, and then to drop to another white-hot plain that stretched the twelve miles to Inspiration, the end of the line. The vision in the mind of Mata Lobo shortened the route by a dozen miles.

Every foot of the road was known to him. Especially this sudden bend at the beginning of the climb. He had scouted it for weeks, timing the stage runs, watching the drivers from his niche on the hill. And through his Apache patience he learned many things.

At the bend, the driver and the shotgun rider were too busy with the team to be watching the hillside. And the passengers, full and comfortable after a meal at Rindo’s, would be suddenly jolted into hanging on with the sway of the bouncing Concord as it swept around the sharp curve, with no thought of looking out the windows.

It was the perfect site for ambush, Apache style. Mata Lobo was sure, for he had done it before.

And then it began. He raised himself on his elbows and cocked his ears to the sound that was still a whisper out on the desert. Two miles away. Then louder, and louder; then the straining pitch to the rattling clamor and the stage was starting up the grade.

The Apache pivoted his rifle on the rocks in front of him, making sure of free motion, and then he lined up again the five brass cartridges arranged on the ground near his right hand.

When he looked back to the road the lead horses were coming into view. He waited until the stage was in full sight, slowed down slightly in the middle of the road, and then he fired, aiming at the closer lead horse.

The horse’s momentum carried it along for the space of time it took the Apache to inject another cartridge and squeeze off at the other lead animal. The horses swerved against each other, still going, then four pairs of legs buckled at once, and eight other pairs raced on, trampling the fallen horses, but to be tripped immediately in a wild confusion of thrashing legs and screaming horses and grinding brakes.

Next to the driver the shotgun rider was throwing his boot against the brake lever when the coach jackknifed and twisted over, gouging into the dirt road, sending up a thick cloud of dust to cover the scene.

As the dust began to settle, Mata Lobo saw one figure lying next to the overturned Concord, his face upturned to the two right-side wheels, still turning slowly above him. There was a stir of motion farther ahead as a figure crawled along the ground, got to his feet, stumbled, pulled himself frantically across the road in a wild, reeling motion that finally developed into a crouched run. He was almost to the shelter of the creek bank when the buffalo gun screamed