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The Complete Western Stories of Elmore Leonard - Elmore Leonard [85]

By Root 2005 0
And he was laughing and weaving in the saddle when he rode out of town with Anthony.

Until that night Perris came riding in with his story, Em hadn’t seen his brother. So you know what he was thinking; what all of us were thinking.

Riding the two hundred miles to find the herd was part of the job, but knowing you were trailing a friend made the job kind of sour and none of us was sure if we wanted to find the cattle. Jack Ryan was young and wild and drank too much and laughed all the time, but he had more friends than any rider in the Panhandle.

Like Ben Templin said: “Jack’s a good boy, but he’s got an idea life’s just a big can-can dancer with four fingers of scootawaboo in each hand.” And that was about it.

THE SPLOTCH of white that was Anton Chico from a distance gradually got bigger and cleared until finally right in front of us it was gray adobe brick, blocks of it, dull and lifeless in the cold late sunlight. Emmett slowed us to a walk the last few hundred feet approaching the town’s main street and motioned Ben Templin up next to him. “Ben,” he said, “you take Dobie with you and cut for that back street yonder and come up behind the livery. Don’t let anybody see you and hush the stableman if he gets loud about what you’re doing. Maybe Butzy’ll come along, Ben—if he isn’t there already.”

I looked at Emmett watching Ben Templin and Dobie Shaw cut off, and there it was. His old face again. All closed and hard with the crow’s feet streaking from the corners of his eyes. And his mouth tight like it used to be when he thought and ordered men at the same time, because he always knew what he was doing. You could see Emmett knew what he was doing now, that he’d set his mind. And when Emmett Ryan set his mind his pride saw to it that it stayed set.

Emmett walked his mount down the left side of the narrow main street with the rest of us strung out behind. When he veered over to a hitchrack about halfway down the second block, we veered with him and tied up, straggled along before two store fronts.

Em stepped up on the boardwalk and moved leisurely toward the Senate House hotel almost at the end of the block. He stopped as he crossed the alley next to the hotel and nodded to Lloyd Cohane, then bent his head toward the alley and moved it in a half-circle over his big shoulders. Lloyd moved off down the alley toward the back of the hotel.

“Go on with him, Ned,” Em whispered. “Stick near the kitchen door and if anybody but the cook comes out shoot his pants off.”

Ned moved off after Lloyd, both carrying carbines. Em looked at Gosh and me, but didn’t say anything. He just looked and that meant we were with him and supposed to back up anything he did. Then he turned toward the hotel and slipped his revolver out in the motion. Gosh moved right after him and pointed the barrel of his Winchester out in front of him.

Two idlers sitting in front of the hotel stared at us trying to make out they weren’t staring, and as soon as we passed them I heard their chairs scrape and their footsteps hurrying down the boards. A man across the street pushed through the saloon doors without even putting his hands out. A rider slowed up in front of the hotel as if about to turn in and then he kicked his mount into a trot down the street.

In the hotel lobby you could still hear the horse clopping down the street and it made the lobby seem even more quiet and comfortable, feeling the coolness inside and picturing the horse on the dusty street. But there was the clerk with his mouth open watching Emmett walk toward the café entrance, his spurs chinging with each step.

It seemed like, for a show like this, everything was moving too fast. The next thing, we were in the café part and Jack Ryan and Joe Anthony and the other man were looking at us like they couldn’t believe their eyes.

None of them moved. Jack’s jaw was open with a mouthful of beef, his eyes almost as wide open as his mouth. The other man had a taco in his fingers raised halfway to his mouth and he just held it there. Didn’t move it up or down. Joe Anthony’s right hand was around

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