The Complete Works of Edgar Allan Poe - Edgar Allan Poe [1102]
Four days remain. Fresh trees he felled and wove
More barriers and fences; inaccessible
To fiercest charge of droves, and to o’erleap
Impossible. These walls he so arranged
That to a common centre each should force
The flight of those pursued; and from that centre
Diverged three outlets. One, the wide expanse
Which from the rocks and inland forests led;
One was the clear-skied windy gap above
A precipice; the third, a long ravine
Which through steep slopes, down to the seashore ran
Winding, and then direct into the sea.
Two days remain. Orion, in each hand
Waving a torch, his course at night began,
Through wildest haunts and lairs of savage beasts.
With long-drawn howl, before him trooped the wolves —
The panthers, terror-stricken, and the bears
With wonder and gruff rage; from desolate crags,
Leering hyenas, griffin, hippogrif,
Skulked, or sprang madly, as the tossing brands
Flashed through the midnight nooks and hollows cold,
Sudden as fire from flint; o’er crashing thickets,
With crouched head and curled fangs dashed the wild boar,
Gnashing forth on with reckless impulses,
While the clear-purposed fox crept closely down
Into the underwood, to let the storm,
Whate’er its cause, pass over. Through dark fens,
Marshes, green rushy swamps, and margins reedy,
Orion held his way — and rolling shapes
Of serpent and of dragon moved before him
With high-reared crests, swan-like yet terrible,
And often looking back with gem-like eyes.
All night Orion urged his rapid course
In the vex’d rear of the swift-droving din,
And when the dawn had peered, the monsters all
Were hemmed in barriers. These he now o’erheaped
With fuel through the day, and when again
Night darkened, and the sea a gulf-like voice
Sent forth, the barriers at all points he fired,
Mid prayers to HephÆstos and his Ocean-Sire.
Soon as the flames had eaten out a gap
In the great barrier fronting the ravine
That ran down to the sea, Orion grasped
Two blazing boughs; one high in air he raised,
The other, with its roaring foliage trailed
Behind him as he sped. Onward the droves
Of frantic creatures with one impulse rolled
Before this night-devouring thing of flames,
With multitudinous voice and downward sweep
Into the sea, which now first knew a tide,
And, ere they made one effort to regain
The shore, had caught them in its flowing arms,
And bore them past all hope. The living mass,
Dark heaving o’er the waves resistlessly,
At length, in distance, seemed a circle small,
Midst which one creature in the centre rose,
Conspicuous in the long, red quivering gleams
That from the dying brands streamed o’er the waves.
It was the oldest dragon of the fens,
Whose forky flag-wings and horn-crested head
O’er crags and marshes regal sway had held;
And now he rose up like an embodied curse,
From all the doomed, fast sinking — some just sunk —
Looked landward o’er the sea, and flapped his vans,
Until Poseidon drew them swirling down.
Poseidon (Neptune) is Orion’s father, and lends him his aid. The first line italized is an example of sound made echo to sense. The rest we have merely emphasized as peculiarly imaginative.
At page 9, Orion thus describes a palace built by him for Hephæstos (Vulcan.)
But, ere a shadow-hunter I became —
A dreamer of strange dreams by day and night —
For him I built a palace underground,
Of iron, black and rough as his own hands.
Deep in the groaning disemboweled earth,
The tower-broad pillars and huge stanchions,
And slant supporting wedges I set up,
Aided by the Cyclops who obeyed my voice,
Which through the metal fabric rang and pealed
In orders echoing far, like thunder-dreams.
With arches, galleries and domes all carved —
So that great