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The Complete Works of Edgar Allan Poe - Edgar Allan Poe [1106]

By Root 16580 0
belles lettres — yet the error into which the essayist has rushed headlong, is egregious. He attempts to deceive his readers, or has deceived himself, by confounding the nature of that proof from which we reason of the concerns of earth, considered as man’s habitation, and the nature of that evidence from which we reason of the same earth regarded as a unit of that vast whole, the universe. In the former case the data being palpable, the proof is direct: in the latter it is purely analogical. Were the indications we derive from science, of the nature and designs of Deity, and thence, by inference, of man’s destiny — were these indications proof direct, no advance in science would strengthen them — for, as our author truly observes, “nothing could be added to the force of the argument which the mind finds in every beast, bird, or flower” but as these indications are rigidly analogical, every step in human knowledge — every astronomical discovery, for instance — throws additional light upon the august subject, by extending the range of analogy. That ­we know no more to-day of the nature of Deity — of its purposes — and thus of man himself — than we did even a dozen years ago — is a proposition disgracefully absurd; and of this any astronomer could assure Mr. Macaulay. Indeed, to our own mind, the only irrefutable argument in support of the soul’s immortality — or, rather, the only conclusive proof of man’s alternate dissolution and re-juvenescence ad infinitum — is to be found in analogies deduced from the modern established theory of the nebular cosmogony. Mr. Macaulay, in short, has forgotten what he frequently forgets, or neglects, — the very gist of his subject. He has forgotten that analogical evidence cannot, at all times, be discoursed of as if identical with proof direct. Throughout the whole of his treatise he has made no distinction whatever.

CHARLES LEVER

THE first point to be observed in the consideration of “Charles O’Malley” is the great popularity of the work. We believe that in this respect it has surpassed even the inimitable compositions of Mr. Dickens. At all events it has met with a most extensive sale; and, although the graver journals have avoided its discussion, the ephemeral press has been nearly if not quite unanimous in its praise. To be sure, the commendation, although unqualified, cannot be said to have abounded in specification, or to have been, in any regard, of a satisfactory character to one seeking precise ideas on the topic of the book’s particular merit. It appears to us, in fact, that the cabalistical words “fun” “rollicking” and “devil-may-care,” if indeed words they be, have been made to stand in good stead of all critical comment in the case of the work now under review. We first saw these dexterous expressions in a fly-leaf of ­“Opinions of the Press” appended to the renowned “Harry Lorrequer” by his publisher in Dublin. Thence transmitted, with complacent echo, from critic to critic, through daily, weekly and monthly journals without number, they have come at length to form a pendant and a portion of our author’s celebrity — have come to be regarded as sufficient response to the few ignoramuses who, obstinate as ignorant, and fool-hardy as obstinate, venture to propound a question or two about the true claims of “Harry Lorrequer” or the justice of the pretensions of “Charles O’Malley.”

We shall not insult our readers by supposing any one of them unaware of the fact, that a book may be even exceedingly popular without any legitimate literary merit. This fact can be proven by numerous examples which, now and here, it will be unnecessary and perhaps indecorous to mention. The dogma, then, is absurdly false, that the popularity of a work is primâ facie evidence of its excellence in some respects; that is to say, the dogma is false if we confine the meaning of excellence (as here of course it must be confined) to excellence in a literary sense. The truth is, that the popularity of a book is primâ facie evidence of just the converse of the proposition — it is evidence of the book’s demerit,

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