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The Complete Works of Edgar Allan Poe - Edgar Allan Poe [1108]

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be found by any “true spirit” in the incense of mere popular applause, is, to our own apprehension at least, a thing inconceivable, inappreciable, — a paradox which gives the lie unto itself — a mystery more profound than the well of Democritus. Mr. Dickens has no more business with the rabble than a seraph with a chapeau de bras. What’s Hecuba to him or he to Hecuba? What is he to Jacques Bonhomme or Jacques Bonhomme to him? The higher genius is a rare gift and divine. [[Greek text:]] xxx xxx xxx xxx xx xxxx xxx [[:Greek text]] — not to all men Apollo shows himself; he is alone great who beholds him. † And his greatness has its office God-assigned. But that office is not a low communion with low, or even with ordinary intellect. The holy — the electric spark of genius is the medium of intercourse between the noble and more noble mind. For lesser purposes there are humbler agents. There are puppets enough, able enough, willing enough, to perform in literature the little things to which we have had reference. For one Fouqué there are fifty Molières. For one Angelo there are five hundred Jan Steens. For one Dickens there are five million Smolletts, Fieldings, Marryatts, Arthurs, Cocktons, Bogtons and Frogtons.

It is, in brief, the duty of all whom circumstances have led into criticism — it is, at least, a duty from which we individually shall never shrink — to uphold the true dignity of genius, to combat its degradation, to plead for the exercise of its powers in those bright fields which are its legitimate and peculiar province, and which for it alone lie gloriously outspread.

But to return to “Charles O’Malley,” and its popularity. We have endeavored to show that this latter must not be considered in any degree as the measure of its merit, but should rather be understood as indicating a deficiency in this respect, when we bear in mind, as we should do, the highest aims of intellect in fiction. ­A slight examination of the work, (for in truth it is worth no more,) will sustain us in what we have said. The plot is exceedingly meagre. Charles O’Malley, the hero, is a young orphan Irishman, living in Galway county, Ireland, in the house of his uncle, Godfrey, to whose sadly encumbered estates the youth is heir apparent and presumptive. He becomes enamoured, while on a visit to a neighbor, of Miss Lucy Dashwood, and finds a rival in a Captain Hammersley. Some words carelessly spoken by Lucy, inspire him with a desire for military renown. After sojourning, therefore, for a brief period, at Dublin University, he obtains a commission and proceeds to the Peninsula, with the British army under Wellington. Here he distinguishes himself; is promoted; and meets frequently with Miss Dashwood, whom obstinately, and in spite of the lady’s own acknowledgment of love for himself, he supposes in love with Hammersley. Upon the storming of Ciudad Rodrigo he returns home; finds his uncle, of course, just dead; and sells his commission to disencumber the estate. Presently Napoleon escapes from Elba, and our hero, obtaining a staff appointment under Picton, returns to the Peninsula, is present at Waterloo, (where Hammersley is killed) saves the life of Lucy’s father, for the second time, as he has already twice saved that of Lucy herself; is rewarded by the hand of the latter; and, making his way back to O’Malley Castle, “lives happily all the rest of his days.”

In and about this plot (if such it may be called) there are more absurdities than we have patience to enumerate. The author, or narrator, for example, is supposed to be Harry Lorrequer as far as the end of the preface, which by the way, is one of the best portions of the book. O’Malley then tells his own story. But the publishing office of the “Dublin University Magazine” (in which the narrative originally appeared) having been burned down, there ensues a sad confusion of identity between O’Malley and Lorrequer, so that it is difficult, for the nonce, to say which is which. In the want of copy consequent upon the disaster, James, the novelist, comes in to the relief of Lorrequer, or

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