The Complete Works of Edgar Allan Poe - Edgar Allan Poe [1165]
The present edition of the Harpers consists of two volumes in one. Volume one commences with a Prelude of Mottoes occupying two pages. Then follows a Postscript — then a Table of Contents to the first volume, occupying eighteen pages. Volume two has a similar Prelude of Mottoes and Table of Contents. The whole is subdivided into Chapters Ante-Initial, Initial, and Post-Initial, with Inter-Chapters. The pages have now and then a typographical queerity — monogram, a scrap of grotesque music, old English, &c. Some characters of this latter kind are printed with colored ink in the British edition, which is gotten up with great care. All these oddities are in the manner of Sterne, and some of them are exceedingly well conceived. The work professes to be a Life of one Doctor Daniel Dove and his horse Nobs — but we should put no very great faith in this biography. On the back of the book is a monogram — which appears again once or twice in the text, and whose solution is a fertile source of trouble with all readers. This monogram is a triangular pyramid; and as, in geometry, the solidity of every polyedral body may be computed by dividing the body into pyramids, the pyramid is thus considered as the base or essence of every polyedron. The author then, after his own fashion, may mean to imply that his book is the basis of all solidity or wisdom — or perhaps, since the polyedron is not only a solid, but a solid terminated by plane faces, that the Doctor is the very essence of all that spurious wisdom which will terminate in just nothing at all — in a hoax, and a consequent multiplicity of blank visages. The wit and humor of the Doctor have seldom been equalled. We cannot think Southey wrote it, but have no idea who did.
CLX.
These twelve Letters are occupied, in part, with minute details of such atrocities on the part of the British, during their sojourn in Charleston, as the quizzing of Mrs. Wilkinson and the pilfering of her shoe-buckles — the remainder being made up of the indignant comments of Mrs. Wilkinson herself.
It is very true, as the Preface assures us, that “few records exist of American women either before or during the war of the Revolution, and that those perpetuated by History want the charm of personal narration,” — but then we are well delivered from such charms of personal narration as we find here. The only supposable merit in the compilation is that dogged air of truth with which the fair authoress relates the lamentable story of her misadventures. I look in vain for that “useful information” about which I have heard — unless, indeed, it is in the passage where we are told that the letter-writer “was a young and beautiful widow; that her hand-writing is clear and feminine; and that the letters were copied by herself into a blank quarto book, on which the extravagant sale-price marks one of the features of the times:” — there are other extravagant sale-prices, however, besides that; — it was seventy-five cents that I paid for these “Letters.” Besides, they are silly, and I cannot conceive why Mrs. Gilman thought the public wished to read them. It is really too bad for her to talk at a body, in this style, about “gathering relics of past history,” and “floating down streams of time.”
As for Mrs. Wilkinson, I am really rejoiced that she lost her shoe-buckles.
CLX. [[CLXI]]
Advancing briskly with a rapier, he did the business for him at a blow. — Smollett.
This vulgar colloquialism had its type among the Romans. Et ferro subitus grassatus, agit rem. — Juvenal.
CLXI. [[CLXII]
It cannot, we think, be a matter of doubt with any reflecting mind, that at least one-third of the reverence, or of the affection, with which we regard the elder poets of Great Britain, should be credited to what is, in itself, a thing apart from poetry — we mean to the simple love of the antique — and that again a third of even the proper poetic sentiment inspired by these writings should be ascribed to a fact which, while it has a strict