Online Book Reader

Home Category

The Complete Works of Edgar Allan Poe - Edgar Allan Poe [1184]

By Root 16328 0
above, commencing with the words, “A mode,” are merely continuations of the one beginning “For these purposes;” but this is no justification at all. By the use of the period, he has rendered each sentence distinct, and each must be examined as such, in respect to its grammar. We are only taking the liberty of condemning Mr. P. by the words of his own mouth. Turning to page 72, where he treats of punctuation, we read as follows: — “The full point is used at the end of every complete sentence; and a complete sentence is a collection of words making a complete sense, without being dependent upon another collection of words to convey the full meaning intended.” Now, what kind of a meaning can we give to such a sentence as “A mode that was adopted by Chesterfield in his celebrated instructions on politeness,” if we are to have “no dependence upon” the sentences that precede it? But, even in the supposition that these five sentences had been run into one, as they should have been, they would still be ungrammatical. For example — “For these purposes I have written my lessons in a series of letters — a mode that affords more opportunity for plainness, familiarity, instruction, and entertainment than any other — a mode, etc.” This would have been the proper method of punctuation. “A mode” is placed in apposition with “a series of letters.” But it is evident that it is not the “series of letters” which is the “mode.” It is the writing the lessons in a series which is so. Yet, in order that the noun “mode” can be properly placed in apposition with what precedes it, this latter must be either a noun, or a sentence, which, taken collectively, can serve as one. Thus, in any shape, all that we have quoted is bad grammar.

We say “bad grammar,” and say it through sheer obstinacy, because Mr. Pue says we should not. “Why, what is grammar?” asks he indignantly. “Nearly all grammarians tell us that grammar is the writing and speaking of the English language correctly. What then is bad grammar? Why bad grammar must be the bad ­writing and speaking of the English language correctly!!” We give the two admiration notes and all.

In the first place, if grammar be only the writing and speaking the English language correctly, then the French, or the Dutch, or the Kickapoos are miserable, ungrammatical races of people, and have no hopes of being anything else, unless Mr. Pue proceeds to their assistance: — but let us say nothing of this for the present. What we wish to assert is, that the usual definition of grammar as “the writing and speaking correctly,” is an error which should have been long ago exploded. Grammar is the analysis of language, and this analysis will be good or bad, just as the capacity employed upon it be weak or strong — just as the grammarian be a Horne Tooke or a Hugh A. Pue. But perhaps, after all, we are treating this gentleman discourteously. His book may be merely intended as a good joke. By the by, he says in his preface, that “while he informs the student, he shall take particular care to entertain him.” Now, the truth is, we have been exceedingly entertained. In such passages as the following, however, which we find upon the second page of the Introduction, we are really at a loss to determine whether it is the utile or the dulce which prevails. We give the italics of Mr. Pue; without which, indeed, the singular force and beauty of the paragraph cannot be duly appreciated.

“The proper study of English grammar, so far from being dry, is one of the most rational enjoyments known to us; one that is highly calculated to rouse the dormant energies of the student; it requiring continual mental effort; unceasing exercise of mind. It is, in fact, the spreading of a thought-producing plaster of paris upon the extensive grounds of intellect! It is the parent of idea, and great causation of reflection; the mighty instigator of insurrection in the interior; and, above all, the unflinching champion of internal improvement! “ We know nothing about plaster of Paris; but the analogy which subsists between ipecac and grammar — at least

Return Main Page Previous Page Next Page

®Online Book Reader