The Complete Works of Edgar Allan Poe - Edgar Allan Poe [1184]
We say “bad grammar,” and say it through sheer obstinacy, because Mr. Pue says we should not. “Why, what is grammar?” asks he indignantly. “Nearly all grammarians tell us that grammar is the writing and speaking of the English language correctly. What then is bad grammar? Why bad grammar must be the bad writing and speaking of the English language correctly!!” We give the two admiration notes and all.
In the first place, if grammar be only the writing and speaking the English language correctly, then the French, or the Dutch, or the Kickapoos are miserable, ungrammatical races of people, and have no hopes of being anything else, unless Mr. Pue proceeds to their assistance: — but let us say nothing of this for the present. What we wish to assert is, that the usual definition of grammar as “the writing and speaking correctly,” is an error which should have been long ago exploded. Grammar is the analysis of language, and this analysis will be good or bad, just as the capacity employed upon it be weak or strong — just as the grammarian be a Horne Tooke or a Hugh A. Pue. But perhaps, after all, we are treating this gentleman discourteously. His book may be merely intended as a good joke. By the by, he says in his preface, that “while he informs the student, he shall take particular care to entertain him.” Now, the truth is, we have been exceedingly entertained. In such passages as the following, however, which we find upon the second page of the Introduction, we are really at a loss to determine whether it is the utile or the dulce which prevails. We give the italics of Mr. Pue; without which, indeed, the singular force and beauty of the paragraph cannot be duly appreciated.
“The proper study of English grammar, so far from being dry, is one of the most rational enjoyments known to us; one that is highly calculated to rouse the dormant energies of the student; it requiring continual mental effort; unceasing exercise of mind. It is, in fact, the spreading of a thought-producing plaster of paris upon the extensive grounds of intellect! It is the parent of idea, and great causation of reflection; the mighty instigator of insurrection in the interior; and, above all, the unflinching champion of internal improvement! “ We know nothing about plaster of Paris; but the analogy which subsists between ipecac and grammar — at least